There were other reminders to us, and to the little town, of the blood-red line drawn across the map of France. We had in our hospital men from the invaded countries without news of wives and families mured up behind that iron veil. Once in a way a tiny word would get through to them, and anxiety would lift a little from their hearts; for a day or two they would smile. One we had, paralysed in the legs, who would sit doing macramé work and playing chess all day long; every relative he had--wife, father, mother, sisters--all were in the power of the German. As brave a nature as one could see in a year's march, touchingly grateful, touchingly cheerful, but with the saddest eyes I ever saw. There was one little reminder in the town whom we could never help going in to look at whenever we passed the shop whose people had given her refuge. A little girl of eight with the most charming, grave, pale, little, grey-eyed face; there she would sit, playing with her doll, watching the customers. That little refugee at all events was beloved and happy; only I think she thought we would kidnap her one day--we stared at her so hard. She had the quality which gives to certain faces the fascination belonging to rare works of art. With all this poignant bereavement and long-suffering amongst them it would be odd indeed if the gay and critical French nature did not rebel, and seek some outlet in apathy or bitter criticism. The miracle is that they go on and on holding fast. Easily depressed, and as easily lifted up again, grumble they must and will; but their hearts are not really down to the pitch of their voices; their love of country, which with them is love of self--the deepest of all kinds of patriotism--is too absolute. These two virtues or vices (as you please)--critical faculty and _amour propre_ or vanity, if you prefer it--are in perpetual encounter. The French are at once not at all proud of themselves and very proud. They destroy all things French, themselves included, with their brains and tongues, and exalt the same with their hearts and by their actions. To the reserved English mind, always on the defensive, they seem to give themselves away continually; but he who understands sees it to be all part of that perpetual interplay of opposites which makes up the French character and secures for it in effect a curious vibrating equilibrium. "Intensely alive" is the chief impression one has of the French. They balance between head and heart at top speed in a sort of electric and eternal see-saw. It is this perpetual quick change which gives them, it seems to me, their special grip on actuality; they never fly into the cloud-regions of theories and dreams; their heads have not time before their hearts have intervened, their hearts not time before their heads cry: "Hold!" They apprehend both worlds, but with such rapid alternation that they surrender to neither. Consider how clever and comparatively warm is that cold thing "religion" in France. I