“Only the perfect lady is quite at her ease in full dress; nothing
inconveniences her. You will never see her, like the woman of the
citizen class, pulling up a refractory shoulder-strap, or pushing down a
rebellious whalebone, or looking whether her tucker is doing its office
of faithful guardian to two treasures of dazzling whiteness, or glancing
in the mirrors to see if her head-dress is keeping its place. Her toilet
is always in harmony with her character; she had had time to study
herself, to learn what becomes her, for she has long known what does not
suit her. You will not find her as you go out; she vanishes before the
end of the play. If by chance she is to be seen, calm and stately, on
the stairs, she is experiencing some violent emotion; she has to bestow
a glance, to receive a promise. Perhaps she goes down so slowly on
purpose to gratify the vanity of a slave whom she sometimes obeys. If
your meeting takes place at a ball or an evening party, you will gather
the honey, natural or affected of her insinuating voice; her empty
words will enchant you, and she will know how to give them the value of
thought by her inimitable bearing.”
“To be such a woman, is it not necessary to be very clever?” asked the
Polish Count.
“It is necessary to have great taste,” replied the Princesse de
Cadignan.
“And in France taste is more than cleverness,” said the Russian.
“This woman’s cleverness is the triumph of a purely plastic art,”
Blondet went on. “You will not know what she said, but you will be
fascinated. She will toss her head, or gently shrug her white shoulders;
she will gild an insignificant speech with a charming pout and smile; or
throw a Voltairean epigram into an ‘Indeed!’ an ‘Ah!’ a ‘What then!’
A jerk of her head will be her most pertinent form of questioning; she
will give meaning to the movement by which she twirls a vinaigrette
hanging to her finger by a ring. She gets an artificial grandeur out
of superlative trivialities; she simply drops her hand impressively,
letting it fall over the arm of her chair as dewdrops hang on the cup of
a flower, and all is said—she has pronounced judgment beyond appeal, to
the apprehension of the most obtuse. She knows how to listen to you;
she gives you the opportunity of shining, and—I ask your modesty—those
moments are rare?”
The candid simplicity of the young Pole, to whom Blondet spoke, made all
the party shout with laughter.
Public-domain text, read in full here on John Shaqi.
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