“Hence,” said Blondet, “the intelligence of the lady, if she has any,
consists in casting doubts on everything. Here lies the great difference
between two women; the townswoman is certainly virtuous; the lady
does not know yet whether she is, or whether she always will be; she
hesitates and struggles where the other refuses point-blank and falls
full length. This hesitancy in everything is one of the last graces left
to her by our horrible times. She rarely goes to church, but she will
talk to you of religion; and if you have the good taste to affect
Free-thought, she will try to convert you, for you will have opened
the way for the stereotyped phrases, the head-shaking and gestures
understood by all these women: ‘For shame! I thought you had too much
sense to attack religion. Society is tottering, and you deprive it
of its support. Why, religion at this moment means you and me; it is
property, and the future of our children! Ah! let us not be selfish!
Individualism is the disease of the age, and religion is the only
remedy; it unites families which your laws put asunder,’ and so forth.
Then she plunges into some neo-Christian speech sprinkled with political
notions which is neither Catholic nor Protestant—but moral? Oh! deuced
moral!—in which you may recognize a fag end of every material woven by
modern doctrines, at loggerheads together.”
The women could not help laughing at the airs by which Blondet
illustrated his satire.
“This explanation, dear Count Adam,” said Blondet, turning to the
Pole, “will have proved to you that the ‘perfect lady’ represents
the intellectual no less than the political muddle, just as she is
surrounded by the showy and not very lasting products of an industry
which is always aiming at destroying its work in order to replace it by
something else. When you leave her you say to yourself: She certainly
has superior ideas! And you believe it all the more because she will
have sounded your heart with a delicate touch, and have asked you your
secrets; she affects ignorance, to learn everything; there are some
things she never knows, not even when she knows them. You alone will
be uneasy, you will know nothing of the state of her heart. The
great ladies of old flaunted their love-affairs, with newspapers and
advertisements; in these days the lady has her little passion neatly
ruled like a sheet of music with its crotchets and quavers and minims,
its rests, its pauses, its sharps to sign the key. A mere weak women,
she is anxious not to compromise her love, or her husband, or the future
of her children. Name, position, and fortune are no longer flags so
respected as to protect all kinds of merchandise on board. The whole
aristocracy no longer advances in a body to screen the lady. She has
not, like the great lady of the past, the demeanor of lofty antagonism;
she can crush nothing under foot, it is she who would be crushed. Thus
she is apt at Jesuitical _mezzo termine_, she is a creature
Public-domain text, read in full here on John Shaqi.
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