But Pat would not go alone.
There was a fresh-complected Johnny in the play who was stuck on the
little woman with the proud nose, and they were fixing to get married.
But all his folks were dead against it; for why, Joe could not
understand, since she was certainly the pick of the basket. There was a
lot of lahdy-dah talk he didn’t understand. He was interested in
studying the details of that house, and the looks and manners of its
high-toned inmates. He particularly admired the cool way the men handled
themselves; lighting their cigars and pouring their drinks. Actin’ as if
they owned the earth, he thought; and that’s the right way to act. It
takes the heart out of the poor boobs.
Finally there was a scene in what looked like a book-store; but Joe
picked up in the course of the action that it was called library, and
all the books belonged to the man who lived in that house. There was a
long talk in this room between a big guy who let on he was a lawyer—he
was the fresh-complected Johnnie’s uncle; and the little woman with the
proud nose, who was now wearing a grey dress even sweller than the white
one. Bit by bit the lawyer guy broke her down (But not really, because
all the time she was crying and carrying on, she was still looking
around with that unbeatable eye) and it all came out that she had had a
kid, and wasn’t married at all. This discovery rather dashed Joe; for he
had forgotten that it was a play, but this was just the same as the
plays on the Bowery. In real life for a girl to have a kid wasn’t
nothing. But maybe it was different in high society.
The noisy scene drew Pat Crear’s attention back to the stage. When the
curtain fell, he said: “Aah! I’d like to paste that fat slob! What he
wanta make t’ guyl cry fer?”
“Aah, you don’t know nottin’,” said Joe. “It’s on’y a play, like. I
don’t pay no attention to that.”
“You was takin’ it all in,” said Pat.
Joe’s close-set eyes seemed to draw closer together; he gnawed a finger
nail, scowling slightly. “I dunno . . .” he muttered. “It set me
thinkin’, like. . . . It was a chance to see how them rich folks lives
inside their houses. They lives nice. Plenty of room to spread
themselves. And t’ best of ev’yt’ing, see? That’s what appeals to me.
Soft stuffs like silks and velvets around yeh, and women fixed nice.
Servants to ac’ humble, and bring yeh ev’yt’ing yeh want. . . .”
“Maybe that was all made up, too,” suggested Pat.
Public-domain text, read in full here on John Shaqi.
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