John and the Faun, by George Edward Woodberry 28
School, by Percy MacKaye 30
The Marvelous Munchausen, by William Rose Benét 34
Train-mates, by Witter Bynner 38
The Kallyope Yell, by Nicholas Vachel Lindsay 39
Thanksgiving For Our Task, by Shaemas OSheel 43
A Likeness, by Willa Sibert Cather 46
The Field of Glory, by Edwin Arlington Robinson 48
Rich Man, Poor Man--, by Francis Hill 49
The Sin Eater, by Ruth Comfort Mitchell 50
Night-sentries, by George Sterling 52
The Swordless Christ, by Percy Adams Hutchison 54
What of the Night?, by Willard Huntington Wright 55
A Threnody, by Louis V. Ledoux 57
November, by Mahlon Leonard Fisher 61
Salutation, by Ruth Sterry 62
Here Lies Pierrot, by Richard Burton 62
List of “Distinctive Poems,” Their Authors, and the Magazines
in Which They Appeared 64
The “Best Poems” Chosen from the “Distinctive” List 69
Titles and Authors of All Poems Appearing in the Seven
Magazines For 1918 71
Index of First Lines 99
INTRODUCTION
Poetry is one of the realities that persist. The façade and dome of
palace and temple, the monuments of heroes and saints, crumble before
the ruining breath of time, while the Psalms last. So when another
year passes and we sum up our achievements, there is no achievement
more vital in registering the soul of a people than its poetry. But in
all things that men do, their relationship is objective except those
things in which art, religion, love, and nature express their influence
through the private thoughts and feelings of men. These four things
are the realities, all the others are symbols. And the essence of art,
as well as religion and love and nature, is a conscious and mysterious
thing, called Poetry. And men will find, if they will only stop to
look, that at the bottom of all this poetry, no matter what the theme
or the particular artistic shaping, there is something with which they
are familiar, because in their own souls there has been an unceasing
mystery which they find named in the magic utterance of some lonely and
neglected maker of verses.
Public-domain text, read in full here on John Shaqi.
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