American literature -- Massachusetts; American poetry -- 20th century
It’s good to dream and turn,
And turn and dream, or fall
To comfort with my pack of bones,
And know of nothing at all!
Yes, never know at all!
If prowlers mew or bark,
Nor wonder if it’s three o’clock
Or four o’clock of the dark.
When the longer shades have fallen
And the last weariness
Has brought the sweetest gift of life,
The last forgetfulness.
If a sound as of old leaves
Stir the last bed I keep,
Then say, my dears: “It’s old Lizette—
She’s turning in her sleep!”
AGNES LEE
MOTHERHOOD
Mary, the Christ long slain, passed silently.
Following the children joyously astir
Under the cedrus and the olive tree,
Pausing to let their laughter float to her.
Each voice an echo of a voice more dear,
She saw a little Christ in every face;
When lo, another woman, gliding near,
Yearned o’er the tender life that filled the place.
And Mary sought the woman’s hand, and spoke:
“I know thee not, yet know thy memory tossed
With all a thousand dreams their eyes evoke
Who bring to thee a child beloved and lost.
“I, too, have rocked my little one,
O, He was fair!
Yea, fairer than the fairest sun,
And like its rays through amber spun
His sun-bright hair.
Still I can see it shine and shine.”
“Even so,” the woman said, “was mine.”
“His ways were ever darling ways,”—
And Mary smiled,—
“So soft, so clinging! Glad relays
Of love were all His precious days.
My little child!
My infinite star! My music fled!”
“Even so was mine,” the woman said.
Then whispered Mary: “Tell me, thou,
Of thine.” And she:
“O, mine was rosy as a boug
Blooming with roses, sent, somehow,
To bloom for me!
His balmy fingers left a thrill
Within my breast that warms me still.”
Then gazed she down some wilder, darker hour,
And said, when Mary questioned, knowing not,
“Who art thou, mother of so sweet a flower?”
“I am the mother of Iscariot.”
AGNES LEE
ESSEX
I
Thy hills are kneeling in the tardy spring,
And wait, in supplication’s gentleness,
The certain resurrection that shall bring
A robe of verdure for their nakedness.
Thy perfumed valleys where the twilights dwell,
Thy fields within the sunlight’s living coil
Now promise, while the veins of nature swell,
Eternal recompense to human toil.
And when the sunset’s final shades depart
The aspiration to completed birth
Is sweet and silent; as the soft tears start,
We know how wanton and how little worth
Are all the passions of our bleeding heart
That vex the awful patience of the earth.
II
Public-domain text, read in full here on John Shaqi.
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