Anthology of Russian literature from the earliest period to the present time, volume 1 (of 2) : $b From the tenth century to the close of the eighteenth centuryWiener, Leo
General
Anthology of Russian literature from the earliest period to the present time, volume 1 (of 2) : $b From the tenth century to the close of the eighteenth century
Wiener, Leo
Russia -- Literary collections; Russian literature -- Translations into English
Knyazhnín was born in Pskov, where he received his early education;
in St. Petersburg he acquired German, French and Italian, and
began to write verses. He served in civil and military government
offices. In 1769 he wrote his first tragedy, _Dido_, which attracted
Catherine’s attention to him. He then married Sumarókov’s daughter
and devoted himself more especially to literature. Knyazhnín wrote
a number of tragedies and comedies: the subject of all of these is
taken from Italian and French, thus his _Vadím of Nóvgorod_ is based
on Metastasio’s _Clemenza di Tito_, and the original of _Odd People_
is Destouches’s _L’homme singulier_. The _Vadím of Nóvgorod_ had a
peculiar history. Knyazhnín had great admiration for Catherine and
her autocratic rule. In his _Vadím_ he tried to depict the struggle
between republican Nóvgorod and the monarchic Rúrik, in which the
latter comes out victorious, to the advantage of unruly Nóvgorod.
He had written it in 1789, but did not stage it on account of the
disturbed condition of Europe under the incipient French Revolution.
Two years after his death, in 1793, Princess Dáshkov, the President
of the Academy, inadvertently ordered it to be published. The book
appeared most inopportunely, at the very time the Revolution had
broken forth. The tendency of the tragedy was overlooked, and only
the republican utterances of Vadím were taken notice of. The book was
ordered to be burnt by the executioner, but as only a few copies
could be found in the storeroom of the Academy, the rest having been
sold in the meanwhile, they were privately destroyed.
VADÍM OF NÓVGOROD
ACT I., SCENE 2. VADÍM, PRENÉST AND VÍGOR
_Vadím._ Could Rúrik so transform your spirit that you only weep where
your duty is to strike?
_Prenést._ We burn to follow you, to be glorified for ever, to crush
the haughty throne, to resuscitate our land; but though the zeal
already burns within our hearts, it sees as yet no means of its
fulfilment. Disdaining harsh and laborious days, if needs we must
die, we are ready; but that our death be not in vain and could save
our beloved land from evil, and that, intent to break the fetters, we
tighten them not more in servitude,--we must expect the aid of the
immortals, for the gods can give us a favourable opportunity.
Public-domain text, read in full here on John Shaqi.
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