Anthology of Russian literature from the earliest period to the present time, volume 1 (of 2) : $b From the tenth century to the close of the eighteenth centuryWiener, Leo
General
Anthology of Russian literature from the earliest period to the present time, volume 1 (of 2) : $b From the tenth century to the close of the eighteenth century
Wiener, Leo
Russia -- Literary collections; Russian literature -- Translations into English
When the folklore of Russia first became accessible to scholars, the
adherents of the mythological theory of the origin of popular tales
and songs, which had been enunciated by Grimm, set out at once to
expound the epic songs and fairy tales as purely mythical symbols of a
pre-Christian era. It was assumed that the songs and stories had come
down to us in an almost unchanged text from the most remote antiquity,
and that they were the representatives of a distinctly Russian
conception. In the meantime, Benfey and his followers have pointed out
that the fairy tales of Europe are traceable to their Indian home,
whence they have wandered to the most remote regions, crossing and
recrossing each other, and mingling in a variety of ways. Even the
casual song that bears every appearance of native origin is frequently
identical with similar songs in distant quarters; so, for example,
Professor Child has brought together a vast number of similar motives
from the whole world in his monumental work on the English and Scotch
Ballads. Under the stress of these discoveries, the greater part of the
mythological ballast had to be thrown overboard, and Russian folklore
was brought into direct relations with the rest of the world.
It has been a rude disappointment to those who believed in an
autochthonous development of the bylínas, to discover that they are
often variations of similar accounts in foreign literatures; that,
for example, the story of Sadkó the Merchant has been found to be
identical with a French story; similarly, the ceremonial songs are
not all of native growth. The study of comparative literature is of
recent development, at least so far as Russian sources are concerned,
and only a small part of the material has been properly located; but
this much can even now be asserted,--that the folklore of Russia is
much more intimately connected with that of Europe and Asia than is the
written literature of the old period. Much of the apocryphal matter
came through the South Slavic countries; many stories and songs must
have wandered by way of Poland to White-Russia, and hence farther
into the interior. Anciently there could have been an interchange
of motives between Germany and Russia in the cities of Nóvgorod and
Pskov, which stood in commercial relations with the towns of the Hansa,
while earlier the Northern saga may have left some traces during the
domination of the Norse. But one of the investigators, Stásov, and
after him Potánin, have stoutly maintained that most of the stories of
the Russian epic cycle came with the Tartars directly from Asia.
Public-domain text, read in full here on John Shaqi.
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