Christian life -- Fiction; City and town life -- Fiction; England -- Social conditions -- 20th century -- Fiction
“Success,” replied Mr. Tetteridge. “It’s going to grow. I shall end
in a big square house with boarders and assistant masters and prayers
at eight o’clock. I shall dress in a black frock-coat and wear a
chimney-pot hat. I shall have to. The parents will expect it.”
“There’ll be holidays,” suggested Anthony, “when you’ll be able to go
walking tours in knickerbockers and a tweed cap.”
“No, I sha’n’t,” said Mr. Tetteridge. “I shall be a married man.
There’ll be children, most likely. We shall go for a month to the
seaside and listen to niggers. The children will clamour for it. I
shall never escape from children all my life, and I’ll never get away
from Millsborough. I shall die here, an honoured and respected citizen
of Millsborough. Do you know what my plan was? I’d worked it all out?
Wandering about the world like Oliver Goldsmith, with my fiddle.
Earning my living while I tramped, sleeping under the stars or in some
village inn, listening to the talk and stories; making sketches of odd
characters, quaint scenes and places; sitting by the wayside making
poetry. Do you know, Tony, I believe I could have been a poet--could
have left a name behind me.”
“You’ll have your evenings,” argued Anthony. “They’ll all go at four
o’clock. You can write your poetry between tea and supper.”
“‘To Irene of the Ringlets,’” suggested Tetteridge. “‘God and the
Grasshopper,’ ‘Ode to Idleness.’ What do you think the parents would
say? Besides, they don’t come between tea and supper. They come in the
mental arithmetic hour. I kick ’em out and slam the door. They never
come again.”
Anthony’s face expressed trouble. Something within him enabled him to
understand. Tetteridge laughed.
“It’s all right,” he said. He took the photograph of the science
master’s daughter from the mantelpiece and kissed it. “I’m going to
marry the dearest little girl in all the world, and we’re going to get
on and be very happy. Who knows? Perhaps we may keep our carriage.”
He replaced the latest photograph of Miss Seaton on the mantelpiece.
She wasn’t as dolly-faced as she had been. The mouth had grown firmer,
and the look of wonder in the eyes had gone. She suggested rather a
capable young woman.
Public-domain text, read in full here on John Shaqi.
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