Black humor; City and town life -- Fiction; Intellectuals -- Fiction; London (England) -- Fiction; Satire
“Yes, the cow was in the best pantomime tradition,” Gumbril agreed. Ah!
but it was a long time since he had been to a Christmas pantomime. Not
since Dan Leno’s days. All the little cousins, the uncles and aunts on
both sides of the family, dozens and dozens of them—every year they
filled the best part of a row in the dress circle at Drury Lane. And
buns were stickily passed from hand to hand, chocolates circulated; the
grown-ups drank tea. And the pantomime went on and on, glory after
glory, under the shining arch of the stage. Hours and hours; and the
grown-ups always wanted to go away before the harlequinade. And the
children felt sick from eating too much chocolate, or wanted with such
extreme urgency to go to the w.c. that they had to be led out, trampling
and stumbling over everybody else’s feet—and every stumble making the
need more agonizingly great—in the middle of the transformation scene.
And there was Dan Leno, inimitable Dan Leno, dead now as poor Yorick, no
more than a mere skull like anybody else’s skull. And his mother, he
remembered, used to laugh at him sometimes till the tears ran down her
cheeks. She used to enjoy things thoroughly, with a whole heart.
“I wish they’d hurry up with the second scene,” said Mrs. Viveash. “If
there’s anything that bores me, it’s _entr’actes_.”
“Most of one’s life is an _entr’acte_,” said Gumbril, whose present mood
of hilarious depression seemed favourable to the enunciation of
apophthegms.
“None of your cracker mottoes, please,” protested Mrs. Viveash. All the
same, she reflected, what was she doing now but waiting for the curtain
to go up again, waiting, with what unspeakable weariness of spirit, for
the curtain that had rung down, ten centuries ago, on those blue eyes,
that bright strawy hair and the weathered face?
“Thank God,” she said with an expiring earnestness, “here’s the second
scene!”
The curtain went up. In a bald room stood the Monster, grown now
from an infant into a frail and bent young man with bandy legs. At
the back of the stage a large window giving on to a street along
which people pass.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account