Antigua and the Antiguans, Volume 2 (of 2): A full account of the colony and its inhabitants from the time of the Caribs to the present dayLanaghan, Mrs.
History
Antigua and the Antiguans, Volume 2 (of 2): A full account of the colony and its inhabitants from the time of the Caribs to the present day
Lanaghan, Mrs.
Antigua -- Description and travel; Antigua -- History
Most of these dwellings are very pleasantly situated, generally
upon a gentle slope, and every breeze that blows finds a ready
entrance at the open windows. Some of them are built in the
cottage style, with only one floor, elevated a few feet from the
ground; just affording sufficient room for a snug and cool
cellar, where the good inmates store their generous wines. These
houses contain a spacious hall, (the principal room in a West
Indian house, occupying about two-thirds of the whole dwelling,
and where meals are taken,) a parlour, or drawing-room, generally
opening with folding-doors into the first-named apartment, a
small morning room, four or five bedrooms, and the remainder of
the building is divided into butler’s pantry, larders, and a kind
of lobby, where the numerous domestics assemble, and when not
actually engaged in waiting at table, or ministering to their own
ungovernable appetites, stretch themselves along the floor in all
the luxuriance of idleness. The kitchens are detached from the
house, for the purpose of evading the heat and smoke from the
wood fires; and contiguous to them are a long line of “negro
rooms,” (as they term the apartments in this country intended for
the use of the domestics,) stables, and coach-houses,
interspersed with “stock” houses for poultry, and pens for the
accommodation of those unseemly animals vulgarly called hogs.
These country residences are seldom devoid of company, who, in
parties of three or four, leave the confinement of the town for
the advantage of the purer air. The days are spent much after the
same fashion. Between the hours of five and six in the morning, a
tap comes at your chamber-door, and a black-visaged smiling
damsel enters with shoeless feet, and grinning lips shewing their
two rows of ivory, and with the accustomed “mornin’, missis,”
presents you with a cup of delicious coffee. The morning’s
costume arranged with due precision, you quit your chamber, and
passing through the “hall,” where two or three black servant boys
are spreading the snowy damask, and otherwise preparing for the
plentiful breakfast, you gain the drawing-room. Stepping through
its open windows or doors, you find yourself in a covered
gallery, amid, perhaps, a group of children and their nurses,
busily employed in various little infantile amusements. Upon the
appearance of “the lady” these, however, are immediately
postponed, as each miniature man or woman comes forward with
native courtesy and outstretched hand, and offers the usual
compliments.
Public-domain text, read in full here on John Shaqi.
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