Fig. 116.--Bronze stand for the game of mancala, with ten holes and two irregular-shaped cavities in the centre. It is the same game as Figs. 184 and 185, Plate XXVIII, but with fewer holes. The sides are ornamented with interlaced strap-work, and the stem and the edge of the base with varieties of guilloche pattern. This game is distributed nearly all over Africa, and is said to be found wherever Arab influence is seen. It is also found in Palestine, Syria, Arabia, Maldive Islands, India, Ceylon, Malay Peninsula, Java, and the Philippine Islands. Fig. 117.--Brass bell, with reticulated pierced work. Negro head on front. This bell is interesting as being a survival of the bells so often seen hanging from the necks of the figures on the plaques. It is evident that it never could have emitted any sound. Fig. 118.--Entire tortoise shell, upper and under sides, in brass; ornamented on the upper side with geometrical pattern; each figure inlaid with a copper bolt or stud in the centre. Figs. 119 and 120.--Bronze human head for holding carved elephants' tusks. The head-dress, pointed and reticulated, representing coral or agate. Four tribal marks over each eye. Six vertical bands of inlaid iron-work over the nose. The pupils of the eyes are of iron. The head-dress resembles Figs. 100 and 101, Plate XVII. Coral choker. Guilloche pattern on projecting base. DESCRIPTION OF PLATE XXI. Fig. 121.--Head-dress composed entirely of agate. It serves to explain the construction of the head-dresses on the bronze plaques and figures, showing how the reticulated effect on the plaques is formed by beads of agate strung together in a kind of network. The rosettes of agate, and the tags and pendants are also explained by this figure. See Figs. 2, 4, 43, 44, 82, 83, 86, 87, 94, 95, 96, 97, 100, 101, 119, 120, 124, 125, 126, 127, 232-234, 277, 278, &c. Figs. 122 and 123.--Circular brass box, ornamented on the top with a central figure in repoussé work, holding two crocodiles upright in each hand. The legs terminate in a band turned up on each side as shown in other designs in Benin art. There are also circular heads having tribal marks over the eyes. Rosettes, guilloche and fish-scale patterns are also represented in repoussé. The pieces of the box are rivetted together with bands of copper. This appears to be the kind of box represented in the hands of one of the smaller figures in the plaque, Fig. 179, Plate XXVII. The latter, however, is taller. These objects have been described by Mr. C. Read as drums in his paper in the "Journ. Anthrop. Inst.," Vol. XXVII, Plate XVIII, Fig. 4. Viewed as a drum, the projecting flanges at top and bottom are not explained.