Chekhov, Anton Pavlovich, 1860-1904; Dostoyevsky, Fyodor, 1821-1881; Philosophy; Russian literature -- History and criticism
'The best and most sacred right of kings,' he says, 'is the right to
pardon. And I have always felt myself a king so long as I used this
right prodigally. I never judged, I was compassionate, I pardoned every
one right and left.... But now I am king no more. There's something
going on in me which belongs only to slaves. Day and night evil
thoughts roam about in my head, and feelings which I never knew before
have made their home in my soul. I hate and despise; I'm exasperated,
disturbed, and afraid. I've become strict beyond measure, exacting,
unkind and suspicious.... What does it all mean? If my new thoughts and
feelings come from a change of my convictions, where could the change
come from? Has the world grown worse and I better, or was I blind and
indifferent before? But if the change is due to the general decline
of my physical and mental powers--I am sick and losing weight every
day--then I am in a pitiable position. It means that my new thoughts
are abnormal and unhealthy, that I must be ashamed of them and consider
them valueless....
The question is asked by the old professor on the point of death, and
in his person by Tchekhov himself. Which is better, to be a king, or an
old, envious, malicious 'toad,' as he calls himself elsewhere? There
is no denying the originality of the question. In the words above you
feel the price which Tchekhov had to pay for his originality, and with
how great joy he would have exchanged all his original thoughts--at
the moment when his 'new' point of view had become clear to him--for
the most ordinary, banal capacity for benevolence. He has, no doubt
felt that his way of thinking is pitiable, shameful and disgusting.
His moods revolt him no less than his appearance, which he describes
in the following lines: '... I am a man of sixty-two, with a bald
head, false teeth and an incurable tic. My name is as brilliant and
prepossessing, as I myself am dull and ugly. My head and hands tremble
from weakness; my neck, like that of one of Turgeniev's heroines,
resembles the handle of a counter-bass; my chest is hollow and my
back narrow. When I speak or read my mouth twists, and when I smile
my whole face is covered with senile, deathly wrinkles.' Unpleasant
face, unpleasant moods! Let the most sweet natures and compassionate
person but give a side-glance at such a monster, and despite himself
a cruel thought would awaken in him: that he should lose no time in
killing, in utterly destroying this pitiful and disgusting vermin, or
if the laws forbid recourse to such strong measures, at least in hiding
him as far as possible from human eyes, in some prison or hospital
or asylum. These are measures of suppression sanctioned, I believe,
not only by legislation, but by eternal morality as well. But here
you encounter resistance of a particular kind. Physical strength to
struggle with the warders, executioners, attendants, moralists--the old
professor has none; a little child could knock him down. Persuasion
Public-domain text, read in full here on John Shaqi.
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