Madame Thierry glanced again at Julien, who controlled himself perfectly
as he removed the paper in which he had wrapped the parasol. As soon as
her back was turned, he covered it with kisses, like the romantic,
excitable child he was, despite his claim to be a mature man. As for the
poor mother, in her distrust and uncertainty she said to herself that
every joy is attended by danger in this world, and that she might
perhaps have reason to regret the amiable overtures of her too
fascinating neighbor.
The next day the door swung on its hinges, and the keys were handed to
Madame Thierry, who, urged on by Julien, ventured timidly to enter the
countess's flowery domain. That lady had determined to do the honors of
her primroses and hyacinths in person, but an inevitable disclosure by
Marcel had changed the course of her ideas and cooled her zeal in some
measure.
The solicitor had called again to discuss her affairs. She made haste to
tell him that she had made his aunt's acquaintance, and spoke of her in
the warmest possible terms. Then she went on to ask questions.
"The charming woman told me of her birth, her love and her past
happiness, and she was on the point of telling me about what she calls
her present happiness, when we were interrupted. I supposed, on the
other hand, that she was very unhappy. Have I not heard that she had
been forced to sell all that she had?"
"That is the truth," Marcel replied; "but there is something in my
excellent aunt's character which not everybody can understand, but which
you will understand perfectly, madame la comtesse. I can tell you her
husband's story and hers in a word. My uncle the artist had a great
heart, much talent and wit, but very little method and no foresight at
all. As he had never had anything in his youth, and earned from day to
day, first the bare necessaries of life, afterward the luxuries, he
allowed himself to be carried along by his natural recklessness; and as
he had some rather extravagant tastes--an artist's tastes, that tells
the whole story--he soon established his outlay upon a very agreeable
but very hazardous footing. He loved society and was popular; he never
went on foot, he had a carriage; he gave exquisite little dinners in
what he called his hut at Sèvres, which was crowded with sumptuous
trinkets and artistic objects, for which he paid great prices; so that
he ran in debt. His wife's property paid his debts, and enabled them to
continue this risky but delightful life. When he died he was over head
and ears in debt once more. My dear aunt knew it, but did not choose to
cast a shadow on his heedless and light-hearted old age by showing the
slightest concern for their son's future. 'My son is sensible,' she
said; 'he is studying his art with passionate zeal. He will have as much
talent as his father. He will be poor, and he will make his fortune. He
will pass through the trials and triumphs which his father passed
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account