Julie was profoundly moved; like every generous heart which has set on foot and carried through a good action, she was happy in absolute forgetfulness of self. That forgetfulness of self was so complete that she threw over her shoulders a light cape of violet silk and ran to the pavilion, impatient to announce the great news to Madame André, and to make her promise to chaperone her at the banquet at the hôtel de Melcy. She was thinking no more of Julien than if he had never existed, or, if she did think of him, she had no conception of the danger she ran in meeting him. That danger, of the gravity of which she was entirely ignorant, seemed to her a trifle in comparison with the great event which led her to go to his mother. Moreover, she was alone. No one in her salon, no one in the garden. Would the roses be scandalized by her action, would the nightingales cry out over the walls that Madame d'Estrelle was going into a house where there might be a young man whom she had never seen? At that moment Julien had no leisure to watch for Julie's approach. He must paint rapidly and without distraction. The lily could not promise not to fade and curl at the edges before the last stroke of the brush. Madame Thierry was in her room with Marcel, who, after exchanging a few words with Julien, was attempting to confess and convince his aunt by lecturing her in private, as the subject of his homily had thus far been kept from the young artist, and it was thought best to keep him in ignorance of it. Madame d'Estrelle tapped gently at the door of the pavilion. A huge dray laden with stone was passing along the street at that moment. The creaking of the wheels, the shouts of the drayman and the cracking of his whip drowned the faint sound of her knocking. Being most anxious to see Madame Thierry before she was informed of what had happened, and offended by some gruff message from the eccentric Antoine, Madame d'Estrelle resolutely opened the outer door, then a second one, and found herself in Julien's studio, face to face with him; for his model was placed in the light that shone through the window upon that door, and Julie appeared to the artist in a flood of radiance, as if she had come to him in a sunbeam. He was so unprepared for that vision that he nearly fell senseless. All his blood rushed to his heart and his face turned whiter than Monsieur Antoine's lily. He could neither speak nor bow; he stood rooted to the floor, palette in hand, with staring eyes and as if actually turned to stone.