The woman's head was bent forwards, and her face, hid in her hands,
rested on her knees. At intervals she muttered to herself in a hoarse,
moaning voice. A portion of her scanty clothing had been removed to
cover the child. What remained on her was composed, partly of skins of
animals, partly of coarse cotton cloth. In many places this miserable
dress was marked with blood, and her long, flaxen hair bore upon its
dishevelled locks the same ominous and repulsive stain.
The child seemed scarcely four years of age, and showed on his pale,
thin face all the peculiarities of his Gothic origin. His features
seemed to have been once beautiful, both in expression and form; but a
deep wound, extending the whole length of his cheek, had now deformed
him for ever. He shivered and trembled in his sleep, and every now and
then mechanically stretched forth his little arms towards the dead cold
branches that were scattered before him.
Suddenly a large stone became detached from the rock in a distant part
of the cavern, and fell noisily to the ground. At this sound he woke
with a scream--raised himself--endeavoured to advance towards the
woman, and staggered backward against the side of the cave. A second
wound in the leg had wreaked that destruction on his vigour which the
first had effected on his beauty. He was a cripple.
At the instant of his awakening the woman had started up. She now
raised him from the ground, and taking some herbs from her bosom,
applied them to his wounded cheek. By this action her dress became
discomposed: it was stiff at the top with coagulated blood, which had
evidently flowed from a cut in her neck.
All her attempts to compose the child were in vain; he moaned and wept
piteously, muttering at intervals his disjointed exclamations of
impatience at the coldness of the place and the agony of his recent
wounds. Speechless and tearless the wretched woman looked vacantly
down on his face. There was little difficulty in discerning from that
fixed, distracted gaze the nature of the tie that bound the mourning
woman to the suffering boy. The expression of rigid and awful despair
that lowered in her fixed, gloomy eyes, the livid paleness that
discoloured her compressed lips, the spasms that shook her firm,
commanding form, mutely expressing in the divine eloquence of human
emotion that between the solitary pair there existed the most intimate
of earth's relationships--the connection of mother and child.
For some time no change occurred in the woman's demeanour. At last, as
if struck by some sudden suspicion, she rose, and clasping the child in
one arm, displaced with the other the brushwood at the entrance of her
place of refuge, cautiously looking forth on all that the mists left
visible of the western landscape. After a short survey she drew back
as if reassured by the unbroken solitude of the place, and turning
towards the lake, looked down upon the black waters at her feet.
Public-domain text, read in full here on John Shaqi.
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