Man-woman relationships -- Fiction; Monks -- Fiction; Portugal -- History -- 1826-1853 -- Fiction; Wine and wine making -- Fiction
"My doubts grew until they broke of their own weight. One day, soon
after my poor father died, I had been bitterly recalling what seemed
to be the cruelest fact of all--the fact that, for four years before
I saw your face, I had lived in the supernatural persuasion that you
were my destiny and that your life needed mine. Suddenly it flashed
upon me that a man and a woman may be predestined to commingle their
lives on some basis other than conventional love and marriage. I
knew that my love for you was not such love as I saw among the lovers
and the married people around me; and that from ordinary marriage I
had always recoiled.
"It was on the strand of a beautiful English bay, with white cliffs
running out miles into the blue water, that I worked out this new
thought to the logical end. It was the eighth of July. At about
eleven in the morning I held the key in my hand. Antonio, I did not
love you less; but my new faith rushed back a million fold and I
loved God so much more that at last I saw my love for you in its true
light. I saw it as the means to an end. I saw that you had been
sent to me, as Saint Philip was sent to the treasurer of Queen
Candace, to make me a Christian. You, a monk, were raised up to make
me a nun.
"I saw much more. I saw that, for years and years, I had been
fighting for happy human relationships. I, for whom God's love had
reserved this richer bliss, had cried out, year after year, for a
father, a mother, a sister, a brother, a friend. My bitterest cry,
Antonio, had been for you; but God knows that I had cried out for you
less as a husband than as a comrade and a most dear friend. On that
July morning I saw why our Lord had refused me the lower good to
grant me the higher, and how He had sorely wounded me that His balm
might more sweetly heal me."
Isabel ceased. Her long speech had been growing less and less easy
until she could not utter another word. The nun thought that the
cause was in herself. Why had she not confined herself to reciting
the precise words with which she had come prepared? Or why had she
not taken the still better course of throwing all her preparation to
the winds and of pouring out her heart to Antonio in whatever words
might come? Why had she muddled fragments of a set speech with a
nervous impromptu?
Public-domain text, read in full here on John Shaqi.
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