Appletons' Popular Science Monthly, January 1899: Volume LIV, No. 3, January 1899Various
Science
Appletons' Popular Science Monthly, January 1899: Volume LIV, No. 3, January 1899
Various
Science -- Periodicals; Technology -- Periodicals
[2] See an instructive article by Mr. Edward Eggleston, Social
Conditions in the Colonies. Century Magazine, 1884, pp. 849, 850.
[3] Eggleston, _op. cit._, p. 850.
[4] Eggleston, _op. cit._, p. 858.
THE MIND'S EYE.
BY JOSEPH JASTROW.
HAMLET.--My father,--Methinks, I see my father.
HORATIO.--O, where, my lord?
HAMLET.--In my mind's eye, Horatio.
It is a commonplace taught from nursery to university that we see with
our eyes, hear with our ears, and feel with the fingers. This is the
truth, but not the whole truth. Indispensable as are the sense organs
in gaining an acquaintance with the world in which we live, yet they
alone do not determine how extensive or how accurate that acquaintance
shall be. There is a mind behind the eye and the ear and the finger
tips which guides them in gathering information, and gives value and
order to the exercise of the senses. This is particularly true of
vision, the most intellectual of all the senses, the one in which mere
acuteness of the sense organ counts least and the training in
observation counts most. The eagle's eye sees farther, but our eyes
tell us much more of what is seen.
The eye is often compared to a photographic camera, with its eyelid
cap, its iris shutter, its lens, and its sensitive plate--the retina;
when properly adjusted for distance and light, the image is formed on
the retina as on the glass plate, and the picture is taken. So far the
comparison is helpful; but while the camera takes a picture whenever
and wherever the plate happens to be exposed, the complete act of
seeing requires some co-operation on the part of the mind. The retina
may be exposed a thousand times and take but few pictures; or perhaps
it is better to say that the pictures may be taken, but remain
undeveloped and evanescent. The pictures that are developed are
stacked up, like the negatives in the photographer's shop, in the
pigeonholes of our mental storerooms--some faded and blurred, some
poorly arranged or mislaid, some often referred to and fresh prints
made therefrom, and some quite neglected.
Public-domain text, read in full here on John Shaqi.
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