ornament of stone known as the _magatama_, with a number of varieties, and many other kinds of objects, leads me to say that no counterpart or even remote parallelism has been found in the western hemisphere. Certain rude forms of decoration of the northern shell-heap pottery of Japan, such as the cord-mark and crenulated fillet, are world-wide in their distribution, and a similar wide dispersal is seen of the rude stone implements and notched and barbed bone and horn. Here, however, the similarity ends. The lathe-turned unglazed mortuary vessels so common in ancient graves in Japan and Korea have equally no counterpart on our western coast. If now we examine the early records of Japan in her two famous works--the Kojiki and Nihonji, which contain rituals, ceremonies, and historical data going back with considerable accuracy to the third and fourth centuries of our era--we shall find many curious details of customs and arts and references to objects which have since been exhumed from burial mounds, yet we look in vain for a similar cult in Mexico or Central America. Turning aside from Japan as an impossible ground in which to trace resemblances, we glance at the unique character of the ancient pottery of Central America, with its representations of natural forms, such as fishes, turtles, frogs, shells, etc., its peculiar motives of decoration in color, and find no counterpart in Asia. The pyramidal rock structure and rounded burial mounds are supposed to have their counterparts in the East, but the pyramidal form is common in various parts of the world, simply because it is the most economical and most enduring type of architecture, and facilitates by its form the erection of the highest stone structures. The rounding dome of an earth mound and the angular side of a rock pyramid are the result of material only.