Appreciations and Criticisms of the Works of Charles DickensChesterton, G. K. (Gilbert Keith)
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Appreciations and Criticisms of the Works of Charles Dickens
Chesterton, G. K. (Gilbert Keith)
Dickens, Charles, 1812-1870 -- Criticism and interpretation
Now it happens to be hugely important to have this right view of the
Revolution in considering its political effects upon England. For the
English, being a deeply and indeed excessively romantic people, could
never be quite content with this quality of cold and bald obviousness
about the republican formula. The republican formula was merely
this--that the State must consist of its citizens ruling equally,
however unequally they may do anything else. In their capacity of
members of the State they are all equally interested in its
preservation. But the English soon began to be romantically restless
about this eternal truism; they were perpetually trying to turn it into
something else, into something more picturesque--progress perhaps, or
anarchy. At last they turned it into the highly exciting and highly
unsound system of politics, which was known as the Manchester School,
and which was expressed with a sort of logical flightiness, more
excusable in literature, by Mr. Herbert Spencer. Of course Danton or
Washington or any of the original republicans would have thought these
people were mad. They would never have admitted for a moment that the
State must not interfere with commerce or competition; they would merely
have insisted that if the State did interfere, it must really be the
State--that is, the whole people. But the distance between the common
sense of Danton and the mere ecstasy of Herbert Spencer marks the
English way of colouring and altering the revolutionary idea. The
English people as a body went blind, as the saying is, for interpreting
democracy entirely in terms of liberty. They said in substance that if
they had more and more liberty it did not matter whether they had any
equality or any fraternity. But this was violating the sacred trinity of
true politics; they confounded the persons and they divided the
substance.
Now the really odd thing about England in the nineteenth century is
this--that there was one Englishman who happened to keep his head. The
men who lost their heads lost highly scientific and philosophical heads;
they were great cosmic systematisers like Spencer, great social
philosophers like Bentham, great practical politicians like Bright,
great political economists like Mill. The man who kept his head kept a
head full of fantastic nonsense; he was a writer of rowdy farces, a
demagogue of fiction, a man without education in any serious sense
whatever, a man whose whole business was to turn ordinary cockneys into
extraordinary caricatures. Yet when all these other children of the
revolution went wrong he, by a mystical something in his bones, went
right. He knew nothing of the Revolution; yet he struck the note of it.
He returned to the original sentimental commonplace upon which it is
forever founded, as the Church is founded on a rock. In an England gone
mad about a minor theory he reasserted the original idea--the idea that
no one in the State must be too weak to influence the State.
Public-domain text, read in full here on John Shaqi.
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