Appreciations and Criticisms of the Works of Charles DickensChesterton, G. K. (Gilbert Keith)
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Appreciations and Criticisms of the Works of Charles Dickens
Chesterton, G. K. (Gilbert Keith)
Dickens, Charles, 1812-1870 -- Criticism and interpretation
Lastly, Dickens is even astonishingly right about Eugene Wrayburne. So
far from reproaching him with not understanding a gentleman, the critic
will be astonished at the accuracy with which he has really observed the
worth and the weakness of the aristocrat. He is quite right when he
suggests that such a man has intelligence enough to despise the
invitations which he has not the energy to refuse. He is quite right
when he makes Eugene (like Mr. Balfour) constantly right in argument
even when he is obviously wrong in fact. Dickens is quite right when he
describes Eugene as capable of cultivating a sort of secondary and false
industry about anything that is not profitable; or pursuing with passion
anything that is not his business. He is quite right in making Eugene
honestly appreciative of essential goodness--in other people. He is
quite right in making him really good at the graceful combination of
satire and sentiment, both perfectly sincere. He is also right in
indicating that the only cure for this intellectual condition is a
violent blow on the head.
DAVID COPPERFIELD
The real achievement of the earlier part of _David Copperfield_ lies in
a certain impression of the little Copperfield living in a land of
giants. It is at once Gargantuan in its fancy and grossly vivid in its
facts; like Gulliver in the land of Brobdingnag when he describes
mountainous hands and faces filling the sky, bristles as big as hedges,
or moles as big as molehills. To him parents and guardians are not
Olympians (as in Mr. Kenneth Grahame's clever book), mysterious and
dignified, dwelling upon a cloudy hill. Rather they are all the more
visible for being large. They come all the closer because they are
colossal. Their queer features and weaknesses stand out large in a sort
of gigantic domesticity, like the hairs and freckles of a
Brobdingnagian. We feel the sombre Murdstone coming upon the house like
a tall storm striding through the sky. We watch every pucker of
Peggotty's peasant face in its moods of flinty prejudice or whimsical
hesitation. We look up and feel that Aunt Betsey in her garden gloves
was really terrible--especially her garden gloves. But one cannot avoid
the impression that as the boy grows larger these figures grow smaller,
and are not perhaps so completely satisfactory.
CHRISTMAS BOOKS
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