Appreciations, with an Essay on StylePater, Walter
Philosophy
Appreciations, with an Essay on Style
Pater, Walter
English literature -- History and criticism; Style, Literary
A little later, Bernard, in the interest of Aliette, has chivalrously
determined to quit Paris. At Valmoutiers, a fine old place in the
neighbourhood of Fontainebleau, they established themselves for a
country life. Here Aliette tastes the happiest days since her
marriage. Bernard, of course, after a little time is greatly bored.
But so far they have never seriously doubted of their great love for
each other. It is here that M. Feuillet brings on the scene a kind of
character new in his books; perhaps hardly worthy of the other company
there; a sort of female Monsieur de Camors, but without his grace and
tenderness, and who actually commits a crime. How would the morbid
charms of M. de Camors have vanished, if, as his wife once suspected of
him, he had ever contemplated crime! And surely, the showy insolent
charms of Sabine de Tallevaut, beautiful, intellectually gifted,
supremely Amazonian, yet withal not drawn with M. Feuillet's usual
fineness, scarcely hold out for the reader, any more than for [233]
Bernard himself, in the long run, against the vulgarising touch of her
cold wickedness. Living in the neighbourhood of Valmoutiers, in a
somewhat melancholy abode (the mystery of which in the eyes of Bernard
adds to her poetic charm) with her guardian, an old, rich, freethinking
doctor, devoted to research, she comes to Valmoutiers one night in his
company on the occasion of the alarming illness of the only child.
They arrive escorted by Bernard himself. The little Jeanne, wrapped in
her coverlet, was placed upon the table of her play-room, which was
illuminated as if for a party. The illness, the operation (skilfully
performed by the old doctor) which restores her to life, are described
with that seemingly simple pathos in which M. Feuillet's consummate art
hides itself. Sabine remains to watch the child's recovery, and
becomes an intimate. In vain Bernard struggles against the first real
passion of his life;--does everything but send its object out of his
sight. Aliette has divined their secret. In the fatal illness which
follows soon after, Bernard watches over her with tender solicitude;
hoping against hope that the disease may take a favourable turn.
"My child," he said to her one day, taking the hand which she abandoned
to him, "I have just been scolding old Victoire. She is losing her
head. In spite of the repeated assurances of the doctors, she is
alarmed at seeing you a little worse than usual to-day, and has had the
Cure sent for. Do you wish to see him?"
"Pray let me see him!"
[234] She sighed heavily, and fixed upon her husband her large blue
eyes, full of anguish--an anguish so sharp and so singular that he felt
frozen to the marrow.
He could not help saying with deep emotion, "Do you love me no longer,
Aliette?"
"For ever!" murmured the poor child.
He leaned over her with a long kiss upon the forehead. She saw tears
stealing from the eyes of her husband, and seemed as if surprised.
Public-domain text, read in full here on John Shaqi.
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