If Flaubert had not told us, perhaps we should never have guessed how tardy and painful his own procedure really was, and after reading his confession may think that his almost endless hesitation had much to do with diseased nerves. Often, perhaps, the felicity supposed will be the product of a happier, a more exuberant nature than Flaubert's. Aggravated, certainly, by a morbid physical condition, that anxiety in "seeking the phrase," which gathered all the other small ennuis of a really quiet existence into a kind of battle, was connected with his lifelong contention against facile poetry, facile art--art, facile and flimsy; and what constitutes the true artist is not the slowness or quickness of the process, but the absolute success of the result. As with those labourers in the parable, the prize is independent of the mere length of the actual day's work. "You talk," he writes, odd, trying lover, to Madame X.-- "You talk of the exclusiveness of my literary tastes. That might have enabled you to divine what kind of a person I am in the matter of love. I grow so hard to please as a literary artist, that I am driven to despair. I shall end by not writing another line." "Happy," he cries, in a moment of discouragement at that patient labour, which for him, certainly, was the condition of a great success--[33] Happy those who have no doubts of themselves! who lengthen out, as the pen runs on, all that flows forth from their brains. As for me, I hesitate, I disappoint myself, turn round upon myself in despite: my taste is augmented in proportion as my natural vigour decreases, and I afflict my soul over some dubious word out of all proportion to the pleasure I get from a whole page of good writing. One would have to live two centuries to attain a true idea of any matter whatever. What Buffon said is a big blasphemy: genius is not long-continued patience. Still, there is some truth in the statement, and more than people think, especially as regards our own day. Art! art! art! bitter deception! phantom that glows with light, only to lead one on to destruction... Again-- I am growing so peevish about my writing. I am like a man whose ear is true but who plays falsely on the violin: his fingers refuse to reproduce precisely those sounds of which he has the inward sense. Then the tears come rolling down from the poor scraper's eyes and the bow falls from his hand.