She had been half through an unimportant remark to Mr. Blake, but she
stops short now and forgets to finish it. Her color comes and goes. The
sides are now prancing through _their_ performance, and she and her
partner are standing still. Perhaps--_perhaps_ she was mistaken; with
all these swaying idiots on every side of her she might well have mixed
up one man's partner with another; and Miss Dunscombe (she had caught a
glimpse of her awhile ago) was surely in that set on the right hand
side.
She stoops forward, regardless--_oblivious_--of her partner's surprised
glance, who has just been making a very witty remark, and being a rather
smart young man, accustomed to be listened to, is rather taken aback by
her open indifference.
A little more forward she leans; yes, _now_--the couples part--for one
moment the coast lies clear. She can see distinctly. Miss Dunscombe is
indeed dancing in that set but _not_ as Mr. Beauclerk's partner. Miss
Maliphant has secured that enviable _role_.
Even as Joyce gazes, Beauclerk, turning his head, meets her earnest
regard. He returns it with a beaming smile. Miss Maliphant, whose duty
it is at this instant to advance and retire and receive without the
support of a chaperone the attacks of the bold, bad man opposite, having
moved out of Beauclerk's sight, the latter, with an expressive glance
directed at Joyce, lifts his shoulders forlornly, and gives a
serio-comic shrug of his shoulders. All to show now bored a being he is
at finding himself thus the partner of the ugly heiress! It is all done
in a second. An inimitable bit of acting--but unpleasant.
Joyce draws herself up. Her eyes fall away from his; unless the distance
is too far, the touch of disdain that lies in them should have
disconcerted even Mr. Beauclerk. Perhaps it has!
"Our turn?" says she, giving her partner a sudden beautiful glance full
of fire--of life--of something that he fails to understand, but does
_not_ fail to consider charming. She smiles; she grows radiant. She is a
different being from a moment ago. How could he--Blake--have thought her
stupid. How she takes up every word--and throws new meaning into it--and
_what_ a laugh she has! Low-sweet--merry--music to its core!
Beauclerk in his turn finds a loop-hole through which to look at her,
and is conscious of a faint feeling of chagrin. She oughtn't to have
taken it like that. To be a little pensive--a little sad--that would
have shewn a right spirit. Well--the night is long. He can play his game
here and there. There is plenty of time in which to regain lost ground
with one--to gain fresh ground with the other. Joyce will forgive
him--when she hears _his_ version of it.
CHAPTER XII.
"If thou canst see not, hast thou ears to hear?--Or
is thy soul too as a leaf that dies?"
Public-domain text, read in full here on John Shaqi.
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