"Now don't make a fuss!"--crossly. "Stand still!" Then taking the
bouquet away and letting it drop to the floor, "Here! Here's the other
sleeve." The coat went on.
"Are you coming with me?" persisted Barbara, brightened by the thought.
But Clare did not heed. "When'll she be back?" She avoided looking at
Tottie. "--Let me button you, will you?"--this with an impatient tug
at the coat.
"Can't say," answered Tottie, with exasperating indifference.
"Tottie, I'm going to move."
At that, the landlady started, suddenly concerned. "Move?" she echoed
incredulously.
Clare ran to a sewing-machine that stood against the wall behind the
settee. "Today," she added; "--now."
"Where you goin'?"
"To--to Jersey."
Barbara, coated and hatted, and with Lolly-Poppins firmly clasped in
her arms, followed the younger woman. "Aunt Clare----"
"Jersey!" scoffed Tottie. "You sure don't mean Jersey _City_."
Clare covered her confusion by hunting among the unfinished work on the
machine. "Yes,--Jersey City," she challenged.
Tottie's eyes narrowed with suspicion. "Must be pretty bad," she
observed. "Pretty bad."
Barbara, planted squarely in Clare's path, again importuned. "Am I
going too, Aunt Clare?"
"No! Sit down! And keep _quiet_!"
The child obeyed. There was comfort in Lolly-Poppins. She lifted the
doll to her breast, mothering it.
"What's happened, pettie?" inquired Tottie.
"Nothing--nothing." Clare folded a garment.
"Nothin'--but you're movin' to Jersey City.--Ha!"
"Well, most of my singing is across the River now, so it's more
convenient."
"Mm!"--it implied satisfaction. Then carelessly, "Say, here's a letter
for you." And as Clare took it, tearing it open, "Glad nothin' 's gone
wrong.--Is that good news?"
Clare thrust the letter into her dress. "Oh, just another singing
engagement," she answered. And went back to the heap of muslin on the
sewing-machine.
Tottie's face reddened beyond the circumference of her rouge spots.
She took a long step in Clare's direction, and laid a hand on her arm.
"Now, look here!" she said threateningly. "You're lyin' about this
move!"
"I'm not! I'm not!"
"Somebody's been knockin' me."
"No. Nonsense!" Clare tried to free her arm.
But Tottie only held her the tighter. "Then why are you goin'?"
"I've told you.--Please, Tottie!" Again she strove to loosen the
other's grip, seeing which Barbara, fearing for her Aunt Clare, cast
aside her doll and ran to stand beside the younger woman, trembling a
little, and ready to burst into tears.
"Aw, you can't fool me!" declared Tottie.
"I don't want to!"
Tottie thrust her face close to Clare's. "You've got your marchin'
orders!"
"What do you--you mean?" The other choked; her look wavered.
"You're on the run."
"I am not! No!"
Tottie's voice lowered, losing its harshness, and took on a wheedling
tone. "But you never have to run," she informed slyly, "if you've got
the goods on somebody." She winked.
"I--I haven't."
Public-domain text, read in full here on John Shaqi.
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