Arabella Stuart: A Romance from English HistoryJames, G. P. R. (George Payne Rainsford)
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Arabella Stuart: A Romance from English History
James, G. P. R. (George Payne Rainsford)
Stuart, Arabella, Lady, 1575-1615 -- Fiction
In the meantime, the personage who had borne her company at supper,
was surrounded by his three companions, asking him questions in a low,
but rapid voice.
"She is a fool," he replied, "and yet not a fool either,--keen enough
as to what concerns her not, but blind to her own interest. She casts
away a crown," he added, in a lower tone, "as a child does a long-used
plaything."
"Will she betray us?" asked one of his companions.
"I think not," replied the other.
"Think not?" said a third, "we had better make sure of that!" But, at
the same moment, the sound of horses' feet trotting away was heard;
and the landlord and his family came back from the door.
CHAPTER III.
The old hall was warm and comfortable; the great, wide, open hearth
displayed some half-dozen logs of blazing wood; and the fitful flame
of the fire, outshining the two candles that stood upon the table,
flickered round the whole room, glancing upon the quaint old carvings
that surrounded the panels, prying into the deep bays of the windows,
and catching here and there upon some well-polished casque,
breastplate, or other piece of ancient armour, which, suspended by
hooks and brackets, ornamented the walls. The ceiling, which was of
old oak, like the wainscot, was lost in the obscurity above; but the
rich mantelpiece was fully seen by the light of the candles near it,
and was the pride of the room and that part of the country. It had
been carved by a famous Flemish artist, and presented by him to good
Sir Harry West for some kindly service rendered during the time of the
Low Country wars. What was the deed that merited the gift we do not,
indeed, know; but it is probable that the oaken sculpture had some
reference to the cause of the sculptor's gratitude, as on either side
of the chimney stood the figure of an armed knight, in full relief,
bearing upon his shoulder a corner of the entablature, on which was
represented, in a smaller size, the history of the good Samaritan.
Public-domain text, read in full here on John Shaqi.
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