in which thou hast excelled the people of thy profession?' I was angry at his words; but I made light of the matter, and, having taken the lute and tuned it, I played and sang; whereupon he said, 'Thou hast performed well, O Ibraheem.' I became more enraged, and said within myself, 'He is not content with coming hither without permission, and asking me to sing, but he calls me by my name, and proves himself unworthy of my conversation.' He then said, 'Wilt thou let us hear more? If so we will requite thee.' And I took the lute and sang, using my utmost care on account of his saying, 'we will requite thee.' He was moved with delight, and said, 'Thou hast performed well, O my master Ibraheem:'--adding, 'Wilt thou permit thy slave to sing?' I answered, 'As thou pleasest:'--but thinking lightly of his sense to sing after me. He took the lute, and tuned it; and, by Allah! I imagined that the lute spoke in his bands with an eloquent Arab tongue. He proceeded to sing some verses commencing,-- 'My heart is wounded! Who will give me for it a heart without a wound?'" The narrator continues by saying that he was struck dumb and motionless with ecstasy; and that the strange sheykh, after having played and sung again, and taught him an enchanting air (with which he afterwards enraptured his patron, the Khaleefeh), vanished. Ibraheem, in alarm, seized his sword; and was the more amazed when he found that the porter had not seen the stranger enter or leave the house; but he heard his voice again, outside, telling him that he was Aboo-Murrah (the Devil).[203] Ibraheem El-Móṣilee, his son Isḥák, and Mukkáriḳ[204] (a pupil of the former), were especially celebrated among Arab musicians and among the distinguished men of the reign of Hároon Er-Rasheed. Isḥáḳ El-Móṣilee relates of his father Ibraheem that when Er-Rasheed took him into his service he gave him a hundred and fifty thousand dirhems and allotted him a monthly pension of ten thousand dirhems, besides occasional presents [one of which is mentioned as amounting to a hundred thousand dirhems for a single song], and the produce of his (Ibraheem's) farms: he had food constantly prepared for him; three sheep every day for his kitchen, besides birds; three thousand dirhems were allowed him for fruits, perfumes, etc., every month, and a thousand dirhems for his clothing; "and with all this," says his son, "he died without leaving more than three thousand deenárs, a sum not equal to his debts, which I paid after his death."[205] Ibraheem was of Persian origin, and of a high family. He was commonly called the Nedeem (or cup-companion), being Er-Rasheed's favourite companion at the wine-table; and his son, who enjoyed the like distinction with El-Ma-moon, received the same appellation, as well as that of "Son of the Nedeem." Ibraheem was the most famous musician of his time, at least till his son attained celebrity.[206]