The lute (el-´ood) is the only instrument that is generally described as used at the entertainments which we have been considering. Engravings of this and other musical instruments are given in my work on the Modern Egyptians. The Arab viol (called rabáb) was commonly used by inferior performers. The Arab music is generally of a soft and plaintive character, and particularly that of the most refined description, which is distinguished by a peculiar system of intervals. The singer aims at distinct enunciation of the words, for this is justly admired; and delights in a trilling style. The airs of songs are commonly very short and simple, adapted to a single verse, or even to a single hemistich; but in the instrumental music there is more variety. Scarcely less popular as an amusement and mode of passing the time is the bath, or hammám,--a favourite resort of both men and women of all classes among the Muslims who can afford the trifling expense which it requires; and (it is said) not only of human beings, but also of evil genii; on which account, as well as on that of decency, several precepts respecting it have been dictated by Moḥammad. It is frequented for the purpose of performing certain ablutions required by the religion, or by a regard for cleanliness, for its salutary effects, and for mere luxury. The following description of a public bath will convey a sufficient notion of those in private houses, which are on a smaller scale and generally consist of only two or three chambers. The public bath comprises several apartments with mosaic or tesselated pavements, composed of white and black marble and pieces of fine red tile and sometimes other materials. The inner apartments are covered with domes, having a number of small round glazed apertures for the admission of light. The first apartment is the meslakh, or disrobing room, which has in the centre a fountain of cold water, and next the walls wide benches or platforms encased with marble. These are furnished with mattresses and cushions for the higher and middle classes, and with mats for the poorer sort. The inner division of the building, in the more regularly planned baths, occupies nearly a square: the central and chief portion of it is the principal apartment, or ḥarárah, which generally has the form of a cross. In its centre is a fountain of hot water, rising from a base encased with marble, which serves as a seat. One of the angles of the square is occupied by the beyt-owwal, or antechamber of the ḥarárah: in another is the fire over which is the boiler; and each of the other two angles is generally occupied by two small chambers, in one of which is a tank filled with warm water, which pours down from a spot in the dome; in the other, two taps side by side, one of hot and the other of cold water, with a small trough beneath, before which is a seat. The inner apartments are heated by the steam which rises from the fountain and tanks, and by the contiguity of the fire; but the