The reader should have some idea of the qualifications or charms which the Arabs in general consider requisite to the perfection of female beauty. He must not imagine that excessive fatness is one of these characteristics, though it is said to be esteemed a chief essential to beauty throughout the greater part of Northern Africa: on the contrary, the maiden whose loveliness inspires the most impassioned expressions in Arabic poesy and prose is celebrated for her slender figure,--she is like the cane among plants, and is elegant as a twig of the oriental willow. Her face is like the full moon, presenting the strongest contrast to the colour of her hair, which (to preserve the nature of the simile just employed) is of the deepest hue of night, and falls to the middle of her back. A rosy blush overspreads the centre of each cheek; and a mole is considered an additional charm. The Arabs, indeed, are particularly extravagant in their admiration of this natural beauty-spot; which, according to its place, is compared to a drop of ambergris upon a dish of alabaster or upon the surface of a ruby. The Anacreon of Persia affected to prize the mole upon the cheek of his beloved above the cities of Samarḳand and Bukhárà. The eyes of the Arab beauty are intensely black,[240] large, and long, of the form of an almond: they are full of brilliancy, but this is softened by a lid slightly depressed and by long silken lashes, giving a tender and languid expression that is full of enchantment and scarcely to be improved by the adventitious aid of the black border of koḥl; for this the lovely maiden adds rather for the sake of fashion than necessity, having what the Arabs term natural koḥl. The eyebrows are thin and arched; the forehead is wide, and fair as ivory; the nose, straight; the mouth, small; the lips of a brilliant red; and the teeth, "like pearls set in coral." The forms of the bosom are compared to two pomegranates; the waist is slender; the hips are wide and large; the feet and hands, small; the fingers, tapering, and their extremities dyed with the deep orange-red tint imparted by the leaves of the ḥennà. The maid in whom these charms are combined exhibits a lively image of "the rosy-fingered Aurora:" her lover knows neither night nor sleep in her presence, and the constellations of heaven are no longer seen by him when she approaches. The most bewitching age is between fourteen and seventeen years; for then the forms of womanhood are generally developed in their greatest beauty; but many a maiden in her twelfth year possesses charms sufficient to fascinate every man who beholds her.