Egypt -- History -- 332-30 B.C. -- Fiction; German fiction -- Translations into English
The Thracian listened to the description of the new art struggling to
present truth, as if these things were welcome surprises, grand
revelations, for which she had waited with eager longing. True, she
opposed every statement hostile to the old beliefs; but her extremely
expressive features soon betrayed to him that he was stirring her to
reflect, shaking her opinions, and winning her to his side.
Already, for the sake of the good cause, he devoted himself with the
utmost zeal to the task of convincing Althea; she, however, did not
make it an easy one, but presented clever arguments against his
assertions.
Whenever he or she, by way of example, mentioned any well-known work
of art, she imitated, as if involuntarily, its pose and action with
surprising fidelity, frequently also in admirable caricature, whose
effect was extremely comical. What a woman!
She was familiar with whatever Grecian art had created, and the animated
conversation became a bewitching spectacle. When the grammateus Proclus,
who as Althea's travelling companion had a certain claim upon her
attention, mingled for a while in the discussion and attracted Althea's
notice, Hermon felt injured, and answered his sensible remarks with such
rudeness that the elder man, whose social position was so much higher,
angrily turned his back upon him.
Althea had imposed a certain degree of restraint upon herself while
talking to the grammateus, but during the further conversation with
Hermon she confessed that she was decidedly of his opinion, and added to
the old reasons for the deposition of beauty and ideality in favour of
truth and reality new ones which surprised the sculptor. When she at
last offered him her hand for a firm alliance, his brain was fevered,
and it seemed a great honour when she asked eagerly what would occupy him
in the immediate future.
Passionate sympathy echoed in every word, was expressed in every feature,
and she listened as if a great happiness was in store for herself when he
disclosed the hopes which he based upon the statue of Arachne.
True, as time passed he had spoken more than once of the necessity of
retiring, and before midnight really tried to depart; but he had fallen
under Althea's thrall, and, in reply to her inquiry what must shorten
these exquisite hours, had informed her, in significant words, what drew
him away, and that his delay threatened him with the loss of a model such
as the favour of fate rarely bestowed upon an artist.
Now the Thracian for the first time permitted her eyes to make frank
confessions. She also bent forward with a natural movement to examine
the artistic work on a silver vase, and as while doing so her peplos fell
over his hand, she pressed it tenderly.
He gazed ardently up at her; but she whispered softly: "Stay! You will
gain through me something better than awaits you there, and not only for
to-day and to-morrow. We shall meet again in Alexandria, and to serve
your art there shall be a beloved duty."
Public-domain text, read in full here on John Shaqi.
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