Egypt -- History -- 332-30 B.C. -- Fiction; German fiction -- Translations into English
“And they have grown marvellously, as if creative Nature had doubled
her powers in their behalf,” Hermon added eagerly. “But man has also
wrought amazing miracles here. Industrious hands reared an actual
mountain. A winding path leads to the top, and when you stand upon the
summit and look northward you at first feel like the sailor who steps
on shore and hears the people speak a language which is new to him. It
seems like a jumble of meaningless sounds until he learns, not only to
understand the words, but also to distinguish the sentences. Temples
and palaces, statues and columns appear everywhere in motley confusion.
Each one, if you separate it from the whole and give it a careful
examination, is worthy of inspection, nay, of admiration. Here are
light, graceful creations of Hellenic, yonder heavy, sombre ones of
Egyptian art, and in the background the exquisite azure of the eternal
sea, which the marvellous structure of the heptastadium unites to the
land; while on the island of Pharos the lighthouse of Sostratus towers
aloft almost to the sky, and with a flood of light points out the way
to mariners who approach the great harbour at night. Countless vessels
are also at anchor in the Eunostus. The riches of the whole earth flow
into both havens. And the life and movement there and in the inland
harbour on Lake Mareotis, where the Nile boats land! From early until
late, what a busy throng, what an abundance of wares—and how many of
the most valuable goods are made in our own city! for whatever useful,
fine, and costly articles industrial art produces are manufactured
here. The roof has not yet been put on many a factory in which busy
workers are already making beautiful things. Here the weaver’s shuttle
flies, yonder gold is spun around slender threads of sheep guts,
elsewhere costly materials are embroidered by women’s nimble fingers
with the prepared gold thread. There glass is blown, or weapons and
iron utensils are forged. Finely polished knives split the pith of the
papyrus, and long rows of workmen and workwomen gum the strips
together. No hand, no head is permitted to rest. In the Museum the
brains of the great thinkers and investigators are toiling. Here, too,
reality asserts its rights. The time for chimeras and wretched polemics
is over. Now it is observing, fathoming, turning to account, nothing
more!”
Public-domain text, read in full here on John Shaqi.
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