Egypt -- History -- 332-30 B.C. -- Fiction; German fiction -- Translations into English
"That you also are not free from human frailties," Proclus continued,
undismayed. "We will take them, great or small as they may be, into the
bargain. The secret ones do not concern the sculptor, who does not or
will not see them. What he perceives in you, what you enable him to
recognise through every feature of your sweet, tranquillizing face, is
enough for the genuine artist to imagine the goddess; for the distinction
between the mortal and the immortal is only the degree of perfection, and
the human intellect and artist soul can find nothing more perfect in the
whole domain of Demeter's jurisdiction than is presented to them in your
nature. Our friend yonder seized it, and his magnificent work of art
proves how nearly it approaches the purest and loftiest conception we
form of the goddess whom he had to represent. It is not that he deified
you, Daphne; he merely bestowed on the divinity forms which he recognised
in you."
Just at that moment, obeying an uncontrollable impulse, Hermon pulled the
bandage from his eyes to see once more the woman to whom this warm homage
was paid.
Was the experienced connoisseur of art and the artist soul in the right?
He had told himself the same thing when he selected Daphne for a model,
and her head reproduced what Proclus praised as the common possession of
Daphne and Demeter. Truthful Myrtilus had also seen it. Perhaps his
work had really been so marvellously successful because, while he was
engaged upon it, his friend had constantly stood before his mind in all
the charm of her inexhaustible goodness.
Animated by the ardent desire to gaze once more at the beloved face, to
which he now owed also this unexpectedly great success, he turned toward
the spot whence her voice had reached him; but a wall of violet mist,
dotted with black specks, was all that his blinded eyes showed him, and
with a low groan he drew the linen cloth over the burns.
This time Proclus also perceived what was passing in the poor artist's
mind, and when he took leave of him it was with the resolve to do his
utmost to brighten with the stars of recognition and renown the dark
night of suffering which enshrouded this highly gifted sculptor, whose
unexpectedly great modesty had prepossessed him still more in his favour.
CHAPTER II.
After the grammateus had retired, Daphne insisted upon leaving Tennis the
next day.
The desire to see Hermon's masterpiece drew her back to Alexandria even
more strongly than the knowledge of being missed by her father.
Only the separation from Thyone rendered the departure difficult, for the
motherless girl had found in her something for which she had long
yearned, and most sorely missed in her companion Chrysilla, who from
expediency approved of everything she did or said.
Public-domain text, read in full here on John Shaqi.
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