Egypt -- History -- 332-30 B.C. -- Fiction; German fiction -- Translations into English
The Queen, Althea, and the other ladies were already on the way to
Coptos, in Upper Egypt, whither the King had exiled them.
Ptolemy had intrusted the execution of this severe punishment to
Alexander's former comrade as the most trustworthy and discreet of his
subjects, but rejected, with angry curtness, Philippus's attempt to
uphold the innocence of his friend Archias.
The old man's conversation with Hermon was interrupted by the
functionaries who subjected him and Crates to the examination.
It lasted a long time, and referred to every incident in the artist's
life since his return to Alexandria. The result was favourable, and
the prisoner was dismissed from confinement with the learned companion
of his fate.
When, accompanied by Philippus, Hermon reached his house, it was so late
that the artists' festival in honour of the sculptor Euphranor, who
entered his seventieth year of life that day, must have already
commenced.
On the way the blind man told the general what a severe trial awaited
him, and the latter approved his course and, on bidding him farewell,
with sincere emotion urged Hermon to take courage.
After hastily strengthening himself with a few mouthfuls of food and a
draught of wine, his slave Patran, who understood writing, wished to put
on the full laurel wreath; but Hermon was seized with a painful sense of
dissatisfaction, and angrily waved it back.
Without a single green leaf on his head, he walked, leaning on the
Egyptian's arm, into the palaestra, which was diagonally opposite to
his house.
Doubtless he longed to hasten at once to Daphne, but he felt that he
could not take leave of her until he had first cast off, as his heart and
mind dictated, the terrible burden which oppressed his soul. Besides, he
knew that the object of his love would not part from him without granting
him one last word.
On the way his heart throbbed almost to bursting.
Even Daphne's image, and what threatened her father, and her with him,
receded far into the background. He could think only of his design, and
how he was to execute it.
Yet ought he not to have the laurel wreath put on, in order, after
removing it, to bestow it on the genius of Myrtilus?
Yet no!
Did he still possess the right to award this noble branch to any one?
He was appearing before his companions only to give truth its just due.
It was repulsive to endow this explanation of an unfortunate error with a
captivating aspect by any theatrical adornment. To be honest, even for
the porter, was a simple requirement of duty, and no praiseworthy merit.
The guide forced a path for him through carriages, litters, and whole
throngs of slaves and common people, who had assembled before the
neighbouring palaestra.
The doorkeepers admitted the blind man, who was well known here, without
delay; but he called to the slave: "Quick, Patran, and not among the
spectators--in the centre of the arena!"
Public-domain text, read in full here on John Shaqi.
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