We hold ourselves, we English, to be good workmen. I do not think I speak with light reference to recent calamity, (for I myself lost a young relation, full of hope and good purpose, in the foundered ship _London_,) when I say that either an AEginetan or Ionian shipwright built ships that could be fought from, though they were under water; and neither of them would have been proud of having built one that would fill and sink helplessly if the sea washed over her deck, or turn upside-down if a squall struck her topsail. Believe me, gentlemen, good workmanship consists in continence and common sense, more than in frantic expatiation of mechanical ingenuity; and if you would be continent and rational, you had better learn more of Art than you do now, and less of Engineering. What is taking place at this very hour,[40] among the streets, once so bright, and avenues, once so pleasant, of the fairest city in Europe, may surely lead us all to feel that the skill of Daedalus, set to build impregnable fortresses, is not so wisely applied as in framing the [Greek: treton ponon],--the golden honeycomb. FOOTNOTES: [37] The closing Lecture, on the religious temper of the Florentine, though necessary for the complete explanation of the subject to my class, at the time, introduced new points of inquiry which I do not choose to lay before the general reader until they can be examined in fuller sequence. The present volume, therefore, closes with the Sixth Lecture, and that on Christian art will be given as the first of the published course on Florentine Sculpture. [38] These plates of coins are given for future reference and examination, not merely for the use made of them in this place. The Lacinian Hera, if a coin could be found unworn in surface, would be very noble; her hair is thrown free because she is the goddess of the cape of storms, though in her temple, there, the wind never moved the ashes on its altar. (Livy, xxiv. 3.) [39] 'Ancient Cities and Kings,' Plate IV., No. 20. [40] The siege of Paris, at the time of the delivery of this Lecture, was in one of its most destructive phases. LECTURE VII. THE RELATION BETWEEN MICHAEL ANGELO AND TINTORET.[41]