Aratra Pentelici, Seven Lectures on the Elements of Sculpture: Given before the University of Oxford in Michaelmas Term, 1870Ruskin, John
Philosophy
Aratra Pentelici, Seven Lectures on the Elements of Sculpture: Given before the University of Oxford in Michaelmas Term, 1870
Ruskin, John
Sculpture
You have probably often smiled at the legend itself, or avoided thinking
of it, as revolting. It is, indeed, one of the most painful and childish
of sacred myths; yet remember, ludicrous and ugly as it seems to us,
this story satisfied the fancy of the Athenian people in their highest
state; and if it did not satisfy, yet it was accepted by, all later
mythologists: you may also remember I told you to be prepared always to
find that, given a certain degree of national intellect, the ruder the
symbol, the deeper would be its purpose. And this legend of the birth of
Athena is the central myth of all that the Greeks have left us
respecting the power of their arts; and in it they have expressed, as it
seemed good to them, the most important things they had to tell us on
these matters. We may read them wrongly; but we must read them here, if
anywhere.
72. There are so many threads to be gathered up in the legend, that I
cannot hope to put it before you in total clearness, but I will take
main points. Athena is born in the island of Rhodes; and that island is
raised out of the sea by Apollo, after he had been left without
inheritance among the gods. Zeus[18] would have cast the lot again, but
Apollo orders the golden-girdled Lachesis to stretch out her hands; and
not now by chance or lot, but by noble enchantment, the island rises out
of the sea.
Physically, this represents the action of heat and light on chaos,
especially on the deep sea. It is the "Fiat lux" of Genesis, the first
process in the conquest of Fate by Harmony. The island is dedicated to
the nymph Rhodos, by whom Apollo has the seven sons who teach [Greek:
sophotata noemata]; because the rose is the most beautiful organism
existing in matter not vital, expressive of the direct action of light
on the earth, giving lovely form and color at once, (compare the use of
it by Dante, as the form of the sainted crowd in highest heaven); and
remember that, therefore, the rose is, in the Greek mind, essentially a
Doric flower, expressing the worship of Light, as the Iris or Ion is an
Ionic one, expressing the worship of the Winds and Dew.
Public-domain text, read in full here on John Shaqi.
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