Armenia (Republic) -- Social life and customs -- Juvenile literature
The morning of the wedding-day came at last. Nizam, arrayed in
rose-colored silk, sat in the middle of the reception room; her head
was covered with a veil held at the temples by large gold sequins. She
sat stiff and silent, for propriety forbade her to open her mouth on
this day even to reply to the congratulations of her relatives and
friends. Archag, always a tease, declared that she would make up for
it later. Her face was pale, and there were dark rings around her
eyes; she had been up since dawn and was still fasting, for she was
to make her Communion in church after hearing the nuptial Mass. She
cast envious glances at her guests, who were eating and drinking,
and apparently enjoying themselves very much.
About eleven o'clock, the firing of cannon announced that it was
time to start for church. Nizam rose, and her mother drew the veil
over her face; then two youths set her on a white horse which was
waiting for her in the courtyard. The young bride of the Orient has
to make a show of resistance as an expression of sorrow at leaving
her father and mother, and the friends of the bridegroom must drag
her out of the house by force. The parents, for their part, bewail
the departure of their daughter.
Nizam was fairly successful in feigning a sorrow which she really
did not feel at all, for she loved Jousif hodja. With one hand she
held the bridle of her horse, and with the other she pressed to her
bosom a mirror, a symbol of the purity which she was to bring to
her husband. All her friends followed, uttering cries of grief. The
bridegroom and his friends were awaiting Nizam's retinue in front of
the Cathedral. When they saw the company enter the square, they gave
shouts of welcome and fired pistols in token of their joy.
Nizam knelt down beside Jousif while the choir boys sang a charagan
(hymn). The Bishop, vested in his chimere had ascended the steps
of the altar: he intoned the Mass, and asked the betrothed if they
desired to become husband and wife, and upon their assent, he gave
them the Host, and held the chalice for them to drink of the red
wine, the blood of Jesus Christ. Then, as they knelt together, he
blessed them with an ivory crucifix, slipped the wedding-ring over
their fingers, and thus united them for the sharing of the joys and
sorrows of life. Then Nizam and Jousif stood up, and more charagans
were sung, interspersed with the firing of guns and cannon.
Public-domain text, read in full here on John Shaqi.
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