Archaic England : $b an essay in deciphering prehistory from megalithic monuments, earthworks, customs, coins, place-names, and faerie superstitionsBayley, Harold
History
Archaic England : $b an essay in deciphering prehistory from megalithic monuments, earthworks, customs, coins, place-names, and faerie superstitions
Bayley, Harold
Archaeology; England -- Antiquities
The Tartar story makes the mysterious Piper a foal which courses round
the world, and with our _pony_ may be connoted _tarpon_, the Tartar word
for the wild horse of the Asiatic steppes. _Cano_ is the Latin for _I
sing_, and on Figs. 152 and 153 the Great Enchantress or Incantatrice is
represented with the Pipes of Pan: among the wonders in the land of
Hamelyn's Piper were horses with eagles' wings and these, together with
the celestial foal and other elphin marvels, are to be found depicted on
the tokens of prehistoric Albion. The tale of the Pied Piper may be
connoted with the emblem of Ogmius leading his tongue-tied willing
captives, and in Fig. 158 the mighty Muse is playing in human form upon
his lute. In Fig. 160 the story of St. Michael or St. George is being
played by a Pegasus, and in Fig. 158 CUNO is represented as a radiant
elf. The arrow on Fig. 163 connects the exquisitely executed little
figure with Cupid, Eros, or Amor--the oldest of the Gods--and probably
this particular cherub was known as Puck, for his coin was issued in the
Channel Islands by a people who inscribed their tokens _Pooc_tika,
_Buc_ato, _Pix_til, and _Pich_til, _i.e._, _Pich tall_ or _chief_(?).
[Illustration: FIGS. 151 to 158.--British. No. 151 from Whitaker's
_Manchester_. No. 152 from Evans. Nos. 153 to 157 from
Akerman. No. 158 from _A New Description of England
and Wales_.]
[Illustration: FIGS. 159 to 163.--Channel Islands. From Akerman.]
[Illustration: FIGS. 164 to 167.--British. From Akerman.]
It is not improbable that this young sprig was known as the Little Leaf
Man, for in Thuringia as soon as the trees began to bud out, the
children used to assemble on a Sunday and dress one of their playmates
with shoots and sprigs: he was covered so thoroughly as to be rendered
blind, whereupon two of his companions, taking him by the hand lest he
should stumble, led him dancing and singing from home to home. Amor,
like Homer, was reputed blind, and the what-nots on Fig. 167 may
possibly be _leaves_, the symbols of the _living, loving Elf_, or
_Life_--"this senior-junior, giant-dwarf Dan Cupid".
It was practically a universal pagan custom to celebrate the return of
Spring by carrying away and destroying a rude idol of the old Dad or
Death:--
Now carry we Death out of the village,
The new Summer into the village,
Welcome, dear Summer,
Green little corn.
[Illustration: FIG. 168.--From _The Everyday Book_ (Hone, W.).]
In other parts of Bohemia--and the curious reader will find several
Bohemias on the Ordnance maps of England--the song varies; it is not
Summer that comes back but Life:--
We have carried away Death,
And brought back Life.[322]
Public-domain text, read in full here on John Shaqi.
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