Archibald Marshall, a Realistic NovelistPhelps, William Lyon
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Archibald Marshall, a Realistic Novelist
Phelps, William Lyon
Marshall, Archibald, 1866-1934
Archibald Marshall is a realist. He represents cultivated men and
women as we saw them yesterday, and as we shall see them tomorrow. He
seldom disappoints us, for among all living novelists, whilst he is
not the greatest, he is the most reliable. It is difficult to analyse
the extraordinary charm of his stories, for they are simpler than
simplicity. He takes us literally into the bosom of a family, where
each member has a distinct individuality, and the novel progresses
like beautiful voices with orchestral accompaniment--each individual
in turn singing an air, while the family fortunes supply the harmony.
To read his books is to associate with people whom it is highly
important to know--not because of their social standing, but because
of their solid worth. His good characters are fundamentally good.
They are seldom brilliant, and almost never reformers. They are more
altruistic than philanthropic. They possess the fine old virtues of
purity, wholesomeness, generosity, loving-kindness, honesty, loyalty,
tact, consideration; such persons are always lovable in life, which is
why they are lovable in these books. His heroes are not saviours of
society, they are simply good companions, be the weather fair or foul;
and we are never sickened by the diaphanous veneer of sentimentality.
His villains seldom break the law of the land, and do not reek of
melodrama. They are inconsiderate, garrulous, inopportune, stupid,
meddling, officiously helpful, which is sometimes worse than deliberate
hostility. Mrs. Prentice in _Exton Manor_ is his most offensive
specimen, and according to the wisdom of the Book of Proverbs, she is
one of the four things for which the earth is disquieted--"an odious
woman when she is married." These respectable villains, who often cause
more suffering than professional criminals, receive the punishment
of unpopularity. But in most of his characters the elements are more
kindly mixed. We have on every page the delight of recognition--the
figures are so perfectly drawn that we are under the illusion that they
are alive.
Public-domain text, read in full here on John Shaqi.
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