Architectural Antiquities of NormandyTurner, Dawson
History
Architectural Antiquities of Normandy
Turner, Dawson
Architecture -- France -- Normandy; Architecture, Norman
pulchrum: capilli albi et pulchri; lapis etiam unde percussus fuit
albus; vas pulchrum et album; et aspicientibus rem adeo pulchram magnam
faciunt admirationem."
The first abbot of the convent was Lanfranc, a native of Italy, who had
established himself in the neighboring monastery of Bec, where the fame
of his talents had acquired him a most extensive celebrity; and the zeal
with which he had applied himself to the task of education,[35] had
increased it to a degree, of which, in these days, we have little idea.
But he held the pastoral staff only a very short time, for he was, as
early as the year 1070, translated to the more important post of
Archbishop of Canterbury; and it was reserved to his successor, William
de Bonne Ame, to have the honor of presiding over the community, at the
period when John of Avranches, Archbishop of Rouen, assisted by his
suffragan bishops, as well as by Lanfranc himself, with Thomas, his
brother metropolitan, and many abbots, and a wonderful throng of people,
performed the ceremony of the dedication.[36]
The Conqueror's sons confirmed the various donations made to the abbey
by their parent. The eldest of them, Robert, his successor in the
dukedom, added the privilege of a fair and a weekly market at Cheux.
William Rufus, the second, entered into a negociation with the monks, to
re-purchase his father's royal ornaments, in exchange for the parish of
Coker, in Somersetshire; but he died before the completion of the
treaty; and this was finally carried into effect by Henry I. with one
only difference, that Brideton, (now called Burton) in Dorsetshire, was
substituted for Coker. It was Henry, according to the Abbé De la
Rue,[37] who raised the superb monument over his father's remains; but
Ordericus Vitalis expressly attributes the work to William Rufus.[38]
Respecting its splendor, all writers are unanimous: the shrine placed
upon the mausoleum, was a "mirificum memoriale, quod ex auro et argento
et gemmis competentèr splenduit." The care of building the tomb was
committed to a goldsmith at Caen, of the name of Otto, who had received
from the Conqueror a grant of land in Essex; and whose descendants,
under the name of Fitz-Othon, had the principal direction of the English
mint, till the death of Thomas Fitz-Othon, the last of the family, in
1282.
Public-domain text, read in full here on John Shaqi.
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