Architecture : $b nineteenth and twentieth centuriesHitchcock, Henry-Russell
History
Architecture : $b nineteenth and twentieth centuries
Hitchcock, Henry-Russell
Architecture, Modern -- 19th century; Architecture, Modern -- 20th century
In 1840 the authority of the Committee of 1816 was terminated and in
Petersburg, as so generally elsewhere in Europe, coherent urbanistic
control came to an end. The great architectural period there was over as
Moscow, with its nationalistic traditions, came more to the fore.
Characteristically, the most important new church of the second quarter
of the century, the Cathedral of the Redeemer of 1839-83, was built in
the older capital and is the first major Russian example of
Neo-Byzantine. One is not surprised to find that Konstantin Andreevich
Ton (1794-1881), its architect, was German not French; for in a sense
this represents a rather clumsy local variant of the German
_Rundbogenstil_, continuing the particular eclectic line initiated by
Klenze in his Munich Court Church more than a decade earlier.
------------------------------------------------------------------------
CHAPTER 4
GREAT BRITAIN
IN English terminology, the most productive period of Nash and Soane,
the two greatest Romantic Classical architects of England, extending
from 1810 down to the thirties, is loosely referred to as ‘Regency’, and
the rest of the first half of the century as ‘Early Victorian’. Neither
term has much more specific meaning in an international frame of
reference than does ‘Restoration’ or ‘Louis Philippe’ in France, not to
speak of ‘Biedermeier’, which is sometimes used for this period in
Germany and Austria. ‘Regency’ production includes the characteristic
monuments of mature Romantic Classicism in England and also much work
that makes manifest the Picturesque point of view. Early Victorian
production illustrates the modulation of Romantic Classicism into the
Renaissance Revival, and includes as well the most doctrinaire phase of
the Gothic Revival (see Chapter 6).
Although current researches are somewhat amending the picture, it is
accepted that private architecture has generally been more significant
in England than public architecture. This was least true in the first
three decades of the nineteenth century. Soane had been Architect to the
Bank of England, in effect if not in fact an important branch of the
State, from 1788. Nash succeeded Wyatt in the office of
Surveyor-General—although he was only given the title of Deputy—in 1813.
And in 1815 Soane, Nash, and Smirke, undoubtedly the three leading
architects of their day if one excepts Wilkins, became the members of a
new board set up by the national Office of Works, which was at a peak of
its authority and activity immediately after Napoleon’s downfall. Soane
and Smirke, though not personal favourites of George IV, were knighted,
like several of their German contemporaries. The principal building
project of the day, the laying out and the construction of Regent Street
and Regent’s Park, the latter on Crown land, had the fullest personal
support of George IV, first as Regent and after 1820 as King.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account