The temple house, initiated by Jefferson and Latrobe, had a tremendous success with builders in the thirties and forties, particularly in the new territories west of the Alleghenies. But the finest and most paradigmatic came rather earlier and were architect-designed. Ithiel Town (1784-1844), for example, built the Bowers House in Northampton, Mass., in 1825-6 with an Ionic portico on the main block and fronted the lower side wings with antae. The big Corinthian Russell house, a pure temple with no side wings—the present wing was added later—rose in Middletown, Conn., to the design of his partner, A. J. Davis (1803-92), in 1828. From such a ‘Parthenon’ as Berry Hill in Virginia, built by its owner James Coles Bruce in 1835-40, which is flanked by two lodges also of temple form, to innumerable more modest houses in the older towns of Ohio and Michigan, the roster of such edifices is infinitely extensive. It is also surprisingly varied in scale and in the materials used—most, but not all, are of white-painted wood—as also in the handling of the dominating columnar porticoes. In the South, for example, the characteristic plantation houses of Alabama, Georgia, Louisiana, and Mississippi are peripteral but unpedimented, with external galleries splitting the height of the giant columns. Natchez in Mississippi has several fine examples; in Louisiana, Greenwood near St Francisville of about 1830 may be specifically mentioned, and also Oak Alley of 1836 at Vacherie near New Orleans. The most ambitious Grecian houses of the Deep South are often very late in date, and architects were rarely employed to design them. Moreover, Greek detail was adopted in the South only very slowly and rarely used with the correctness of the Northern builders, who leaned so heavily on the plates of the orders in the books of Benjamin and others. Belle Meade, near Nashville, of 1853, being by the distinguished Philadelphia architect Strickland, is something of an exception in several ways; it had, for example, a fine portico of square antae executed in white marble that was almost Schinkelesque. Vast Belle Grove at White Castle, Louisiana, built by Henry Howard in 1857, was probably more effective in the romantically ruinous state in which it existed for many years before its final destruction than in its pristine condition, so confusedly eclectic was the general composition, with Italianate as well as Classical elements quite casually mixed.