Architecture : $b nineteenth and twentieth centuriesHitchcock, Henry-Russell
History
Architecture : $b nineteenth and twentieth centuries
Hitchcock, Henry-Russell
Architecture, Modern -- 19th century; Architecture, Modern -- 20th century
Philadelphia, the former colonial metropolis and briefly the national
capital, was much more than Washington the cultural centre of the
country in the early decades of the century. Here Latrobe had had his
start, significantly with a bank in the form of an Ionic temple. Now in
1818 Strickland,[91] a native-born American and quite untravelled, won
in competition the commission for building the Branch Bank of the United
States with a much more archaeologically correct temple. Like various
European and British public monuments of the period, but unlike any bank
abroad, this is a marble Parthenon. But the various needs of the banking
business were skilfully provided for inside, and the principal
barrel-vaulted interior is very fine indeed. Built in 1819-24, this bank
(later a Custom House) rivals the Bavarian Walhalla and the Scottish
National Monument, though lacking their splendid hill-top sites. It was
just the thing to establish Strickland’s national reputation. But his
Merchants’ Exchange in Philadelphia of 1832-4, with a rounded end and a
trabeated ground storey, provides more interesting and impressive
evidence of his talent, perhaps the greatest of the generation following
Latrobe in America (Plate 40).
Strickland’s latest major work, the State Capitol in Nashville,
Tennessee, of 1845-9, still a temple but with various accretions, has
the high site his bank lacked, but it suffers otherwise from the general
deterioration of the sense of Grecian style after the mid thirties, a
deterioration quite as evident in American architecture as in European.
This Tennessee temple was the last but one of a series of state capitols
that followed the model of Jefferson’s at Richmond, Virginia, rather
than Bulfinch’s dome-crowned Boston State House or the national Capitol
in Washington. The first example that was correctly Greek in detail
seems to have been that for Connecticut in New Haven; it was built by
Town and his partner Davis in 1827-31, and has long since been
demolished. However, that designed by Gideon Shryock (1802-80) in
Frankfort, Kentucky, was going up at about the same time.
In 1831-5 Davis built a larger and grander Greek Doric temple (no longer
extant) as a Capitol for Indiana at Indianapolis, but provided it with a
small central dome. The latest of all the temples built to serve as
state capitols was a very modest one of 1849 at Benicia, California,
where the columnar portico was reduced to two Doric columns _in
antis_—it is worth noting that this was erected in the very year that
Sutter’s gold strike first put California on the map of the world.
Public-domain text, read in full here on John Shaqi.
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