185 (B) Eero Saarinen: New Haven, Conn., Ezra Stiles and Samuel F. B. Morse College, 1960-2 (J. W. Molitor) 186 (A) James Cubitt & Partners: Langleybury, Hertfordshire, school, 1955-6 (Architectural Design) 186 (B) London County Council Architect’s Office: London, Loughborough Road housing estate, 1954-6 (Architectural Review) 187 (A) Kenzo Tange: Totsuka, Country Club, _c._ 1960 (Y. Futagawa) 187 (B) Kunio Maekawa: Tokyo, Metropolitan Festival Hall, 1961 (Akio Kawasumi) 188 (A) Frank Lloyd Wright: New York, Guggenheim Museum, and (1943-6), 1956-9 (Solomon R. Guggenheim Museum) (B) 189 Skidmore, Owings & Merrill (Gordon Bunshaft): New York, Lever House, 1950-2 (Ezra Stoller) 190 (A) Philip C. Johnson: New Canaan, Conn., Boissonas house, 1955-6 (Ezra Stoller) 190 (B) Eero Saarinen: Chantilly, Va., Dulles International Airport, 1960-3 (B. Korab) 190 (C) Oscar Niemeyer: Pampulha, São Francisco, 1943 (M. Gautherot) 191 Hentrich & Petschnigg: Düsseldorf, Thyssen Haus, 1958-60 (Arno Wrubel) 192 Ludwig Mies van der Rohe and Philip Johnson: New York, Seagram Building, 1956-8 (A. Georges) ------------------------------------------------------------------------ ACKNOWLEDGEMENTS _My_ Modern Architecture: Romanticism and Reintegration _appeared in 1929. It was an early attempt to relate the newest architecture of the nineteen-twenties to that of the preceding century and a half. In the thirty years that followed I have studied, in varying degrees of detail, many aspects of the story of architecture in the last two hundred years, from the ‘Romantic’ gardens of the mid eighteenth century to Latin-American building of the mid twentieth. In the process debts of gratitude have accumulated that can never be discharged, least of all here. Moreover, immediately before writing this book I visited a dozen countries in the New World, and during its composition in London—made possible by a sabbatical leave from Smith College for the academic year 1955-6—I visited another dozen in the Old World. It would be manifestly impossible even to list all those—first of all in England and America, but also all the way from Athens to Bogotá—who assisted me in various ways in the gathering of material. They will, I trust, understand and accept this generalized expression of my thanks._