Architecture : $b nineteenth and twentieth centuriesHitchcock, Henry-Russell
History
Architecture : $b nineteenth and twentieth centuries
Hitchcock, Henry-Russell
Architecture, Modern -- 19th century; Architecture, Modern -- 20th century
Near by in Baltimore the Unitarian Church of 1807 is by a Frenchman,
Maximilien Godefroy (_c._ 1760-1833),[27] who was also responsible for
the first Neo-Gothic ecclesiastical structure of any consequence in
North America, the chapel of St Mary’s Seminary there, also of 1807. The
Unitarian Church is a monument which might well have risen in the Paris
of the 1790s had the French Deists been addicted to building churches.
The triple arch in the plain stuccoed front below the pediment comes
straight from Ledoux’s _barrières_; the interior, unhappily remodelled
in 1916, was originally a dome on pendentives of the purest geometrical
order. So also Godefroy’s Battle Monument of 1814 also in Baltimore,
with its Egyptian base, might easily have been erected in Paris to
honour some general prominent in Napoleon’s campaign on the Nile.[28]
Another Frenchman, J.-J. Ramée (1764-1842), active since the Revolution
in Hamburg and in Denmark, also came briefly to America. In 1813 he laid
out Union College[29] in Schenectady, N.Y., on a rather Ledolcian plan
and began its construction before he returned to Europe. His semicircle
of buildings still crowns the hill—although two only are original—and
Ramée here initiated a tradition of college architecture as remote from
that of earlier American colleges, with their free-standing buildings
set around a ‘campus’, as Wilkins’s Downing at Cambridge was from
earlier English colleges.
The French eventually departed leaving no line of descent; but Latrobe
had a pupil, the first professionally trained American in the field and,
like Latrobe, almost as much an engineer as an architect. By 1808 Robert
Mills (1781-1855) was supervising for Latrobe the new Bank of
Philadelphia, Gothic (or at least ‘Gothick’) where his earlier Bank of
Pennsylvania had been Grecian, and also building on his own the Sansom
Street Baptist Church, a competent but not distinguished essay in
Romantic Classicism. In the same year another Latrobe pupil, William
Strickland (1788-1854), designed for Philadelphia a Gothick Masonic
Hall; this was built in 1809-11, and later rebuilt, but according to the
original design, after a fire in 1819-20.
Public-domain text, read in full here on John Shaqi.
Architecture : $b nineteenth and twentieth centuries — John Shaqi
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