Architecture: Classic and Early ChristianSmith, T. Roger (Thomas Roger)
History
Architecture: Classic and Early Christian
Smith, T. Roger (Thomas Roger)
Architecture -- History; Church architecture
On the north of this court, though not
approached directly from it, was the Seraglio (not to be confounded
with the Harem), the grand entrance to which was from a second large
court, access to which was obtained from a roadway sloping up from the
city. The portals to this portion of the palace were also adorned with
human-headed bulls. From the second court a vaulted passage gave
access to the state apartments, which appear to have had a direct view
across the open country, and were quite outside the city walls. The
Harem has been excavated; it stood just outside the palace proper,
behind the metal stores. The remains of an observatory exist, and the
outlines of what is supposed to have been a temple have also been
unearthed, so that we have here a complete plan of the palace.
Altogether 31 courts and 198 chambers have been discovered.
[Illustration: FIG. 32.--PALACE OF KHORSABAD. BUILT BY KING SARGON
ABOUT 710 B.C.
A, Steps. B, Chief portal. C, Chief entrance-court. D-H, Women's
apartments (Harem). J, Centre court of building. K, Chief court
of royal residence. L, Portal with carved bulls as guards. M,
Centre court of royal residence. N, Temple (?). O, Pyramid of
steps. S, Entrance to chief court. T, Plan of terraces with wall
and towers.]
It will be noticed that great disproportion exists between the length
of the various apartments and their breadth, none being more than
40 ft. wide; and it is probable that this was owing to structural
necessities, the Assyrian builders finding it impossible, with the
materials at their disposal, to cover wider spaces than this. The walls
of this palace vary from 5 to 15 ft. in thickness, and are composed of
sun-dried bricks, faced in the principal courts and state apartments
with slabs of alabaster or Mosul gypsum to a height of from 9 to 12 ft.,
above which kiln-burnt bricks were used. The alabaster slabs were
held together by iron, copper, or wooden cramps or plugs, and were
covered with sculptured pictures representing scenes of peace and war,
from which, as was the case with the Egyptian remains, we are able to
reconstruct for ourselves the daily life of the monarchs of those early
times. Above the alabaster slabs plastered decorations were used; in
some cases painted frescoes have been found, or mosaics formed with
enamelled bricks of various colours. In the out-buildings and the more
retired rooms of the palace, the alabaster slabs were omitted, and
plaster decorations used, from the ground upwards. The researches of
MM. Botta and Place have shown that colour was used with a lavishness
quite foreign to our notions, as the alabaster statues as well as the
plaster enrichments were coloured. M. Place says that in no case were
the plain bricks allowed to face the walls of an apartment, the joint
being always concealed either by colour or plaster: in fact, he remarks
that after a time, if he found walls standing showing the brickwork
Public-domain text, read in full here on John Shaqi.
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