Architecture: Gothic and RenaissanceSmith, T. Roger (Thomas Roger)
History
Architecture: Gothic and Renaissance
Smith, T. Roger (Thomas Roger)
Architecture -- History; Architecture, Gothic; Architecture, Renaissance; Church architecture
The following condensed list, partly from Morant,[5] of the most
striking peculiarities of each period, may be found useful for
reference, and is on that account placed here, notwithstanding that it
contains many technical words, for the meaning of which the student
must consult the Glossary which forms part of this volume.
ANGLO-SAXON--(Prior to the Norman Conquest).--
Rude work and rough material; walls mostly of rubble or
ragstone with ashlar at the angles in long and short courses
alternately; openings with round or triangular heads,
sometimes divided by a rude baluster. Piers plain, square,
and narrow. Windows splayed externally and internally. Rude
square blocks of stone in place of capitals and bases.
Mouldings generally semi-cylindrical and coarsely chiselled.
Corners of buildings square without buttresses.
NORMAN. William I. A.D. 1066.
William II. " 1087.
Henry I. " 1100.
Stephen " 1135.
Henry II. " 1154 to 1189.
Arches semicircular, occasionally stilted; at first plain,
afterwards enriched with chevron or other mouldings; and
frequent repetition of same ornament on each stone. Piers
low and massive, cylindrical, square, polygonal, or composed
of clustered shafts, often ornamented with spiral bands and
mouldings. Windows generally narrow and splayed internally
only; sometimes double and divided by a shaft. Walls
sometimes a series of arcades, a few pierced as windows, the
rest left blank. Doorways deeply recessed and richly
ornamented with bands of mouldings. Doors often square
headed, but under arches the head of the arch filled with
carving. Capitals carved in outline, often grotesquely
sculptured with devices of animals and leaves. Abacus
square, lower edge moulded. Bases much resembling the
classic orders. The mouldings at first imperfectly formed.
Pedestals of piers square. Buttresses plain, with broad
faces and small projections. Parapets plain with projecting
corbel table under.
Plain mouldings consist of chamfers, round or pointed rolls
at edges, divided from plain face by shallow channels.
Enriched mouldings--the chevrons or zig-zag, the billet
square or round, the cable, the lozenge, the chain, nail
heads, and others. Niches with figures over doorways. Roofs
of moderately high pitch, and open to the frame; timbers
chiefly king-post trusses. Towers square and massive--those
of late date richly adorned with arcades. Openings in towers
often beautifully grouped. Vaulting waggon-headed, and
simple intersecting vaults of semicircular outline.
Public-domain text, read in full here on John Shaqi.
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