Architecture: Gothic and RenaissanceSmith, T. Roger (Thomas Roger)
History
Architecture: Gothic and Renaissance
Smith, T. Roger (Thomas Roger)
Architecture -- History; Architecture, Gothic; Architecture, Renaissance; Church architecture
Arches at first inclosing an equilateral triangle,
afterwards obtusely pointed and struck from four centres.
Piers generally oblong; longitudinal direction north and
south. Mouldings continued from base through arch. Capitals
with mouldings large, angular, and few, with abacus and bell
imperfectly defined. Foliage of conventional character,
shallow, and square in outline. Bases polygonal. Windows
where lofty divided into stories by transoms. The mullions
often continued perpendicularly into the head. Canopies of
ogee character enriched with crockets. Doors generally with
square label over arch, the spandrels filled with ornament.
Buttresses with bold projection often ending in finials.
Flying buttresses pierced with tracery. Walls profusely
ornamented with panelling. Parapets embattled and panelled.
Open timber roofs of moderate pitch, of elaborate
construction, often with hammer beams, richly ornamented
with moulded timbers, carved figures of angels and with
pierced tracery in spandrels. Roofs sometimes of very flat
pitch. Lofty clerestories. Mouldings large, coarse, and with
wide and shallow hollows and hard wiry edges, meagre in
appearance and wanting in minute and delicate detail,
generally arranged on diagonal planes. Early in the style
the mouldings partake of decorated character.
In the Tudor period depressed four-centered arch prevails;
transoms of windows battlemented. Tudor flower, rose,
portcullis, and fleur-de-lis common ornaments. Crockets and
pinnacles much projected. Roofs of low pitch.
Vaulting. Fan vaulting, with tracery and pendants
elaborately carved.
Other modes of distinguishing the periods of English Gothic have been
proposed by writers of authority. The division given above is that of
Rickman, and is generally adopted. A more minute subdivision and a
different set of names were proposed by Sharpe as follows:--
ROMANESQUE. Saxon A.D. to 1066.
Norman " 1066 to 1145.
GOTHIC. Transitional " 1145 to 1190.
Lancet " 1190 to 1245.
Geometrical " 1245 to 1315.
Curvilinear " 1315 to 1360.
Rectilinear " 1360 to 1550.
Of the new names proposed by Mr. Sharpe "transitional" explains
itself; and "geometrical, curvilinear, and rectilinear" refer to the
characters of the window tracery at the different periods which they
denote.[6]
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