Architecture: Gothic and RenaissanceSmith, T. Roger (Thomas Roger)
History
Architecture: Gothic and Renaissance
Smith, T. Roger (Thomas Roger)
Architecture -- History; Architecture, Gothic; Architecture, Renaissance; Church architecture
The Norman piers had been frequently circular or polygonal, but
sometimes nearly square, and usually of enormous mass. Thus, at Durham
(Norman), oblong piers of about eleven feet in diameter occur
alternately with round ones of about seven feet. In transitional
examples columns of more slender proportions were employed either (as
in the choir of Canterbury) as single shafts or collected into groups.
Where grouping took place it was intended that each shaft of the group
should be seen to support some definite feature of the superincumbent
structure, as where a separate group of mouldings springs from each
shaft in a doorway, and this principle was very steadily adhered to
during the greater part of the Gothic period.[14]
[Illustration: FIG. 15.--HOUSES AT LISIEUX, FRANCE. (16TH CENTURY.)]
Through the E. E. period groups of shafts are generally employed; they
are often formed of detached shafts clustering round a central one,
and held together at intervals by bands or belts of masonry, and
generally the entire group is nearly circular on plan. In the
succeeding century (Dec. period) the piers also take the form of
groups of shafts, but they are generally carved out of one block of
stone, and the ordinary arrangement of the pier is on a lozenge-shaped
plan. In the Perp., the piers retain the same general character, but
are slenderer, and the shafts have often shrunk to nothing more than
reedy mouldings.
The column is often employed in Transitional and E. E. churches as a
substitute for piers carrying arches. In every period small columns
are freely used as ornamental features. They are constantly met with,
for example, in the jambs of doorways and of windows.
Every column is divided naturally into three parts, its base, or foot;
its shaft, which forms the main body; and its capital, or head. Each
of these went through a series of modifications. Part of the base
usually consisted of a flat stone larger than the diameter of the
column, sometimes called a plinth, and upon this stood the moulded
base which gradually diminished to the size of the shaft. This plain
stone was in E. E. often square, and in that case the corner spaces
which were not covered by the mouldings of the base were often
occupied by an elegantly carved leaf. In Dec. and Perp. buildings the
lower part of the base was often polygonal, and frequently moulded so
as to make it into a pedestal.[15]
The proportions of shafts varied extraordinarily; they were, as a
rule, extremely slender when their purpose was purely decorative, and
comparatively sturdy when they really served to carry a weight.
Public-domain text, read in full here on John Shaqi.
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