Architecture: Gothic and RenaissanceSmith, T. Roger (Thomas Roger)
History
Architecture: Gothic and Renaissance
Smith, T. Roger (Thomas Roger)
Architecture -- History; Architecture, Gothic; Architecture, Renaissance; Church architecture
In the church at Andernach, of which we give an illustration (Fig.
42), the same arrangement, namely, that of four towers, two to the
west, and two to the east, may be noticed; but there is not the same
degree of difference between the towers, and the result is less happy.
This example, like the last, has no central feature, and in both the
arcade under the eaves of the roof is conspicuous only by its absence.
It does, however, occur on the western towers at Andernach.
[Illustration: FIG. 42.--CHURCH AT ANDERNACH. (EARLY 13TH CENTURY.)]
The pointed arch, when adopted in Germany, was in all probability
borrowed from France, as the general aspect of German churches of
pointed architecture seems to prove. The greatest Gothic cathedral of
Germany, Cologne Cathedral, was not commenced till about the year
1275, and its choir was probably completed during the first quarter of
the fourteenth century. This cathedral, one of the largest in Europe,
is also one of the grandest efforts of mediæval architecture, and it
closely resembles French examples of the same period, both in its
general treatment, and in the detail of its features. The plan of
Cologne Cathedral (Fig. 46) is one of the most regular and symmetrical
which has come down to us from the middle ages. The works were carried
on slowly after the choir was consecrated, but without any deviation
from the original plan, though some alteration in style and details
crept in. In our own day the works have been resumed and vigorously
pushed on towards completion; and, the original drawings having been
preserved, the two western towers, the front, and other portions have
been carried on in accordance with them. Cologne, accordingly,
presents the almost unique spectacle of a great Gothic church, erected
without deviation from its original plan, and completed in the style
in which it was begun. It is fair to add that though splendid in the
extreme, this cathedral has far less charm, and less of that peculiar
quality of mystery and vitality than many, we might say most, of the
great cathedrals of Europe.
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