Architecture: Gothic and RenaissanceSmith, T. Roger (Thomas Roger)
History
Architecture: Gothic and Renaissance
Smith, T. Roger (Thomas Roger)
Architecture -- History; Architecture, Gothic; Architecture, Renaissance; Church architecture
The German architects delighted in towers with pointed roofs, and in a
multiplicity of them. A highly characteristic feature is a tower of
great mass, but often extremely low, covering the crossing. The
Cathedral at Mayence shows a fine example of this feature, which was
often not more than a low octagon. Western towers, square on plan, are
common, and small towers, frequently octagonal, are often employed to
flank the choir or in combination with the transepts. These in early
examples, are always surmounted by high roofs; in late ones, by stone
spires, often of rich open tracery. A very characteristic feature of
the round arched Gothic churches is an arcade of small arches
immediately below the eaves of the roof and opening into the space
above the vaults (Fig. 45). This is rarely wanting in churches built
previous to the time when the French type was followed implicitly.
The gables are seldom such fine compositions as in France, or even in
Italy; but in domestic and secular buildings many striking gabled
fronts occur, the gable being often stepped in outline and full of
windows.
_Roofs and Vaults._
Vaults are universal in the great churches, and German vaulting has
some special peculiarities, but they are such as hardly come within
the scope of this hand-book. Roofs, however, are so conspicuous that
in any general account of German architecture attention must be paid
to them. They were from very early times steep in pitch and
picturesque in outline, and are evidently much relied upon as giving
play to the sky-line. Indeed, for variety of form and piquancy of
detail the German roofs are the most successful of the middle ages.
The spires, as will have been easily gathered from the descriptions of
those at Strasburg, Cologne, &c., became extremely elaborate, and were
constructed in many cases entirely of open tracery.
[Illustration: FIG. 47.--WESTERN DOORWAY OF CHURCH AT THANN. (14TH
CENTURY.)]
[Illustration: FIG. 48.--CHURCH OF ST. CATHERINE AT OPPENHEIM. (1262
TO 1439.)]
_Openings._
Openings are, on the whole, treated very much as the French treated
them. A good example is the western doorway at Thann (Fig. 47); but
the use of double tracery in the windows in late examples is
characteristic. Sometimes a partial screen of outside tracery is
employed in other features besides windows, as may be seen by the very
elegant doorway of St. Sebald's Church at Nuremberg, which we have
illustrated (Fig. 49).
_Ornaments._
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account